Legal and Writing Career
In 1887 in Cleveland, Chesnutt studied for and passed the bar exam. Chesnutt had learned stenography as a young man in North Carolina, and he established what became a lucrative legal stenography business.
Chesnutt also began writing stories, which were published by top-ranked national magazines. These included The Atlantic Monthly, which in August 1887 published his first short story, "The Goophered Grapevine." His first book was a collection of short stories entitled The Conjure Woman, published in 1899. These stories featured black characters who spoke in Southern dialect, as was popular in much southern literature at the time.
Chesnutt's stories were more complex than those of many of his contemporaries. He wrote about characters dealing with difficult issues of mixed race, "passing", illegitimacy, racial identities and social place throughout his career. The issues were especially pressing during the social volatility of Reconstruction and late 19th-century southern society. Whites in the South were trying to reestablish supremacy in social, economic and legal spheres. With their regaining of political dominance through paramilitary violence and suppression of black voting, they passed laws imposing legal racial segregation and a variety of Jim Crow rules that imposed second-class status on blacks. From 1890 to 1910, southern states passed new constitutions and laws that disfranchised most blacks and many poor whites from voting. At the same time, there was often distance and competition between families established as free before the war, especially if they were educated and property-owning, and the masses of illiterate freedmen making their way from slavery.
Chesnutt continued writing short stories. He also completed a biography of the abolitionist Frederick Douglass, who had escaped from slavery before the war and become renowned as a speaker and abolitionist.
He began to write novels that reflected his stronger sense of activism. His Marrow of Tradition was based on the Wilmington Massacre of 1898, when whites took over the city and threw out the elected biracial government. Eric Sundquist, in his book To Wake the Nations: Race in the Making of American Culture (1993), described the novel as "probably the most astute political-historical novel of its day", both in terms of recounting the massacre and reflecting the complicated social times in which Chesnutt wrote it. Chesnutt wrote several novels and appeared on the national lecture circuit, primarily in northern states.
Because his novels posed a more direct challenge to existing sociopolitical conditions, they were not as popular as his stories, which portrayed antebellum society. Among the era's literary writers, Chesnutt was well respected. For instance, in 1905, Chesnutt was invited to Mark Twain’s 70th birthday party in New York City. Although Chesnutt's stories met with critical acclaim, poor sales of his novels doomed his hopes of a self-supporting literary career. His last novel was published in 1905.
In 1906, his play Mrs. Darcy’s Daughter was produced, but it was also a commercial failure. Between 1906 and his death in 1932, Chesnutt wrote and published little, except for a few short stories and essays.
Read more about this topic: Charles W. Chesnutt
Famous quotes containing the words legal and, legal, writing and/or career:
“The steps toward the emancipation of women are first intellectual, then industrial, lastly legal and political. Great strides in the first two of these stages already have been made of millions of women who do not yet perceive that it is surely carrying them towards the last.”
—Ellen Battelle Dietrick, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 13, by Susan B. Anthony and Ida Husted Harper (1902)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (18991961)
“As I am writing my thought, it sometimes escapes me; but this makes me remember my weakness, which I constantly forget. This is as instructive to me as my forgotten thought; for I strive only to know my nothingness.”
—Blaise Pascal (16231662)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)