Later Career
Mackerras was a guest conductor of the D'Oyly Carte Opera Company for The Pirates of Penzance and The Mikado during the 1975 D'Oyly Carte Centenary season at the Savoy. He later joined the D'Oyly Carte Opera Trust and later its Board of Trustees. In 1982 he was the first Australian national appointed chief conductor of the Sydney Symphony Orchestra, a post he held until 1985.
In 1980, he became the first non-Briton to conduct the BBC Symphony Orchestra at the Last Night of the Proms.
Mackerras directed the Welsh National Opera from 1987 to 1992, where his Janáček productions won particular praise. One of the highlights of the 1991 season was the reopening of the Estates Theatre in Prague, scene of the original premiere of Mozart's Don Giovanni, in which Mackerras conducted a new production of that opera to mark the bicentenary of Mozart's death. As Conductor Emeritus of Welsh National Opera, his successes included Tristan und Isolde, The Yeomen of the Guard, and La clemenza di Tito (all of which productions were brought to London). He was the principal guest conductor of the Scottish Chamber Orchestra (SCO) from 1992 to 1995, and held the title of Conductor Laureate with the SCO. He was principal guest conductor of the Royal Philharmonic Orchestra from 1993 to 1996. During the same period, he was also principal guest conductor of the San Francisco Opera. From 1998 to 2001 he was the music director of the Orchestra of St. Luke's. From 1987, he regularly conducted the Orchestra of the Age of Enlightenment and was appointed Emeritus Conductor in 2007.
In 2004, he became principal guest conductor of the Philharmonia Orchestra. He was also principal guest conductor of the Czech Philharmonic Orchestra. With the Royal Opera, he conducted productions of Gounod's Roméo et Juliette and Handel's Semele. Mackerras also had a long association with the Metropolitan Opera, where he conducted The Makropulos Case, Káťa Kabanová, Le Prophète. Lucia di Lammermoor, Billy Budd, Hansel and Gretel and The Magic Flute.
In August 2008, Mackerras was announced as the new Honorary President of the Edinburgh International Festival Society. He was only the second person to hold this role, after Yehudi Menuhin. As the original part of the largest arts festival in the world, the Edinburgh International Festival featured performances from Mackerras throughout six decades since his first in 1952.
Mackerras summarised his strategy for working with an orchestra as follows:
I believe it's very important to edit orchestral parts explicitly and as thoroughly as possible, so that the musicians can play them without too much rehearsal. For instance, the other day I did all the Schumann symphonies with very little rehearsal at all. Because the parts were clearly marked, particularly with regard to dynamics, we were able to play them without needing to do that much preliminary work, focusing our attention on the interpretation rather than the technical business of who plays too loud or too soft.Mackerras was the President of Trinity College of Music, London. He also served as Music Advisor to City Opera of Vancouver, a professional chamber opera company led by conductor Charles Barber. He was also a Patron of Bampton Classical Opera.
On 18 December 2008, Mackerras served as the conductor for Alfred Brendel's final concert performance with the Vienna Philharmonic Orchestra. Mackerras's last public performance saw him conduct Così fan tutte at Glyndebourne in the summer of 2010.
Since 1999 Mackerras was a Patron of the Australian children's cancer charity Redkite.
Read more about this topic: Charles Mackerras
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