Biography
Dutoit was born in Lausanne, Switzerland, studied there and graduated from the Geneva Conservatory where he won first prize in conducting, then he went to the Music Academy in Siena by the invitation of Alceo Galliera. In his younger days, he frequently attended Ernest Ansermet's rehearsals and had a personal acquaintance with him. He also worked with Herbert von Karajan at Lucerne as a member of the festival youth orchestra and studied with Charles Munch at Tanglewood. Dutoit began his professional music career in 1957 as a viola player with various orchestras across Europe and South America. In January 1959, he made his debut as a professional conductor with an orchestra of Radio Lausanne and Martha Argerich. From 1959 he was a guest conductor of the Orchestre de la Suisse Romande and the Lausanne Chamber Orchestra. After this, he was the conductor for Radio Zurich until 1967, when he took over the Bern Symphony Orchestra from Paul Kletzki, where he stayed for eleven years.
While head of the Bern Symphony, he also conducted the National Symphony Orchestra of Mexico from 1973 to 1975, and Sweden's Gothenburg Symphony from 1975 to 1978. Dutoit was principal guest conductor of the Minnesota Orchestra in the early 1980s.
In 1977, Dutoit became the Artistic Director of the Orchestre Symphonique de Montréal (OSM). During his tenure, the recording profile and reputation of the OSM increased. However, Dutoit was impopular among his own musicians in Montreal for his harsh management style, apparently using fear and insults as motivation, to the point where some members broke down in tears after rehearsals. By April 2002 dissonance was festering, and after initiating dismissal procedures against two musicians who had stood up to him some players called in the Québec Musicians Guild. The union went public with an open letter saying that Dutoit had verbally and psychologically abused his musicians for at least 10 years and that they now wanted it to stop. Upon hearing this Dutoit abruptly resigned, never to conduct in Montreal again.
He has earned more than 40 international awards and distinctions, including two Grammy Awards (USA), several Juno Awards (Canada), the Grand Prix du Président de la République (France), the Prix mondial du disque de Montreux (Switzerland), the Amsterdam Edison Award, the Japan Record Academy Award, and the German Music Critics' Award. He and the OSM made many recordings for the Decca/London label.
Dutoit first conducted the Philadelphia Orchestra in 1980. From 1990 to 1999, he was music director of the orchestra's summer concerts at the Mann Center for the Performing Arts. Since 1990, he has been the artistic director and principal conductor of the Philadelphia Orchestra's summer festival in Saratoga Springs, New York, a post he will relinquish in August 2010. In 1991, he was made an Honorary Citizen of the city of Philadelphia. As of the 2012-2013 season, he will become Conductor Laureate of the orchestra.
Since 1990, Dutoit has directed the Pacific Music Festival in Japan. From 1991 to 2001, Dutoit was Music Director of the Orchestre National de France, with whom he made a number of critically lauded recordings and toured extensively. In 1996, he was appointed principal conductor of Tokyo's NHK Symphony Orchestra. In 1997, he was made an honourary Officer of the Order of Canada. He is also one of a handful of non-Canadian citizens to be a Grand Officer of the Ordre national du Québec.
In February 2007, he was named chief conductor and artistic adviser of The Philadelphia Orchestra, for a contract of four years, effective September 2008. In April 2007, Dutoit was named principal conductor and artistic director of the Royal Philharmonic Orchestra as of 2009. Since July 2009 Dutoit has also served as the music director of the Verbier Festival Orchestra in Switzerland.
Read more about this topic: Charles Dutoit
Famous quotes containing the word biography:
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)