Chamber Music

Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. The word "chamber" signifies that the music can be performed in a small room, often in a private salon with an intimate atmosphere. However, by definition it usually does not include solo instrument performances.

Because of its intimate nature, chamber music has been described as "the music of friends." For more than 200 years, chamber music was played primarily by amateur musicians in their homes, and even today, when most chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works.

Johann Wolfgang von Goethe described chamber music (specifically, string quartet music) as "four rational people conversing." This conversational paradigm has been a thread woven through the history of chamber music composition from the end of the 18th century to the present. The analogy to conversation recurs in descriptions and analyses of chamber music compositions.

Read more about Chamber Music:  History, Chamber-music Performance, The Chamber Music Experience, Chamber-music Societies, Ensembles

Famous quotes containing the words chamber and/or music:

    My weary limbs are scarcely stretched for repose, before red dawn peeps into my chamber window, and the birds in the whispering leaves over the roof, apprise me by their sweetest notes that another day of toil awaits me. I arise, the harness is hastily adjusted and once more I step upon the tread-mill.
    —“E. B.,” U.S. farmer. As quoted in Feminine Ingenuity, by Anne L. MacDonald (1992)

    The first condition for making music is not to make a noise.
    José Bergamín (1895–1983)