Temples
Vitruvius (c.80 – 15 BC) describes the "Temple of Ceres near the Circus Maximus" (her Aventine Temple) as typically Araeostyle, having widely spaced supporting columns, with architraves of wood, rather than stone. This species of temple is "clumsy, heavy roofed, low and wide, pediments ornamented with statues of clay or brass, gilt in the Tuscan fashion". He recommends that temples to Ceres be sited in rural areas: "in a solitary spot out of the city, to which the public are not necessarily led but for the purpose of sacrificing to her. This spot is to be reverenced with religious awe and solemnity of demeanour, by those whose affairs lead them to visit it." During the early Imperial era, soothsayers advised Pliny the Younger to restore an ancient, "old and narrow" temple to Ceres, at his rural property near Como. It contained an ancient wooden cult statue of the goddess, which he replaced. Though this was unofficial, private cult (sacra privata) its annual feast on the Ides of September, the same day as the Epulum Jovis, was attended by pilgrims from all over the region. Pliny considered this rebuilding a fulfillment of his civic and religious duty.
Read more about this topic: Ceres (mythology)
Famous quotes containing the word temples:
“These temples grew as grows the grass;
Art might obey, but not surpass.
The passive Master lent his hand
To the vast soul that o’er him planned.”
—Ralph Waldo Emerson (1803–1882)
“If the world would only build temples to Machinery in the abstract then everything would be perfect. The painter and sculptor would have plenty to do, and could, in complete peace and suitably honoured, pursue their trade without further trouble.”
—Wyndham Lewis (1882–1957)
“This city now doth, like a garment, wear
The beauty of the morning; silent bare,
Ships, towers, domes, theatres and temples lie
Open unto the fields and to the sky;
All bright and glittering in the smokeless air.”
—William Wordsworth (1770–1850)