The Inception
The idea for a multicultural complex sprouted from André Malraux, the first minister of cultural affairs, was the western prophet of art and culture as centralized political power. The idea for the Centre Pompidou as a nerve centre of the French art and culture, bringing together in one place the different forms of expression, can be traced back in a way to Malraux’ ideas.(5) In the 1960s the city planners decided to move the foodmarkets of Les Halles, the historical structures were greatly prized and it was proposed that some of the cultural institutes would be appropriate occupants. Paris as a city of culture and art needed a boost and voices were raised to move the Musée d’Art Moderne to this more appropriate location. Another demand existed in Paris at the time, that for a decent public library, Paris at the time lacked any large, free, general-purpose library. At first the debate concerned Les Halles, but as the controversy settled, in 1968, President Charles de Gaulle announced the Plateau Beaubourg as the new site for the library. A year later in 1969, the new president adopted the Beaubourg project and decided it to be the location of both the new library and a center for the contemporary arts. In the process of developing the project, the IRCAM (Institut de recherche et coordination acoustique/musique) was also housed in the complex.(2) By 1992, the Centre de Creation Industrielle was incorporated into the Centre Pompidou.
Read more about this topic: Centre Georges Pompidou
Famous quotes containing the word inception:
“Most of us don’t have mothers who blazed a trail for us—at least, not all the way. Coming of age before or during the inception of the women’s movement, whether as working parents or homemakers, whether married or divorced, our mothers faced conundrums—what should they be? how should they act?—that became our uncertainties.”
—Anne Roiphe (20th century)
“... when one reflects on the books one never has written, and never may, though their schedules lie in the beautiful chirography which marks the inception of an unexpressed thought upon the pages of one’s notebook, one is aware, of any given idea, that the chances are against its ever being offered to one’s dearest readers.”
—Elizabeth Stuart Phelps (1844–1911)