Censored Eleven List
The cartoons in the Censored Eleven are:
# | Title | Year | Director | Production |
---|---|---|---|---|
1. | Hittin' the Trail for Hallelujah Land | 1931 | Rudolf Ising | Merrie Melodies |
2. | Sunday Go to Meetin' Time | 1936, 1944 (reissue) | Friz Freleng | Merrie Melodies |
3. | Clean Pastures | 1937 | Friz Freleng | Merrie Melodies |
4. | Uncle Tom's Bungalow | 1937 | Tex Avery | Merrie Melodies |
5. | Jungle Jitters | 1938 | Friz Freleng | Merrie Melodies |
6. | The Isle of Pingo Pongo | 1938, 1944 (reissue) | Tex Avery | Merrie Melodies |
7. | All This and Rabbit Stew | 1941 | Tex Avery | Merrie Melodies |
8. | Coal Black and de Sebben Dwarfs | 1943 | Robert Clampett | Merrie Melodies |
9. | Tin Pan Alley Cats | 1943 | Robert Clampett | Merrie Melodies |
10. | Angel Puss | 1944 | Chuck Jones | Looney Tunes |
11. | Goldilocks and the Jivin' Bears | 1944, 1951 (reissue) | Friz Freleng | Merrie Melodies |
Friz Freleng directed the largest number of cartoons on the list, followed by Tex Avery with three, and Bob Clampett with only two cartoons to make the list. Rudolf Ising, like Chuck Jones, only has one cartoon on the list. Angel Puss is the only cartoon directed by Chuck Jones on the list as well as the only cartoon in the Looney Tunes series. The rest are Merrie Melodies. Hittin' the Trail to Hallelujah Land is the only Piggy short on the list while All This and Rabbit Stew is the only Bugs Bunny cartoon on the list.
Several more cartoons have been removed from circulation since this list was created (but are not added onto the Censored Eleven list, though most of the cartoons censored do contain extensive blackface gags and/or black stereotypes), such as Hugh Harman and Rudolph Ising's Looney Tunes featuring blackface caricature Bosko, and the Inki series of cartoons by Chuck Jones, as well as numerous World War II-era cartoons concerning the Japanese such as Bugs Bunny Nips the Nips and Tokio Jokio.
The Gone With the Wind satire, Confederate Honey, is similarly not circulated due to its depictions of blacks. Likewise, Which Is Witch is not shown because of black stereotyping. Friz Freleng's 1937 cartoon September in the Rain featured stereotypical black characters, but it was not entirely focused on them.
Two cartoons directed by Tex Avery during his stint at MGM are often included in cartoon compilations that list the Censored Eleven: Uncle Tom's Cabana and Half-Pint Pygmy. Often included are the Popeye cartoons Pop-Pie A La Mode and Popeye's Pappy and also various WWII-era Popeye cartoons concerning the Japanese Empire such as You're a Sap, Mr. Jap, Scrap The Japs and Seein' Red, White n' Blue even though they are not Warner Bros. cartoons, but were part of the pre-May 1986 MGM and a.a.p. library that wound up under Warner Bros. control in the 1990s.
At the other end of the studio's life, the final Warner Bros. cartoon, Injun Trouble (directed by Robert McKimson) is extremely rare owing to a combination of excessive jokes and stereotyping about Native Americans and the generally poor critical reputation of Warner Bros.' later cartoons.
Hocus Pocus Pow Wow, directed by Alex Lovy and released the year before Injun Trouble, is also somewhat rare for the same reason. Both a 1952 Sylvestor and Tweety cartoon Tom Tom Tomcat and a 1960 Bugs Bunny/Yosemite Sam cartoon Horse Hare are not generally shown because of negative stereotyping about Native Americans.
Read more about this topic: Censored Eleven
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