Early Life
Úrsula Hilaria Celia de la Caridad Cruz Alfonso was born on October 21, 1925 in the diverse, working-class neighborhood of Santos Suárez in Havana, Cuba, the second of four children. Her father, Simon Cruz, was a railroad stoker and her mother, Catalina Alfonso (Ollita) was a homemaker who took care of an extended family of fourteen.
While growing up in Cuba's diverse 1930s musica climate, Cruz listened to many musicians who influenced her adult career, including Fernando Collazo, Abelardo Barroso, Pablo Quevedo and Arsenio Rodríguez. Cruz also studied the words to Yoruba songs with colleague Mercedita Valdes (an Akpwon santeria singer) from Cuba and Celia made various recordings of this religious genre singing even back up for other female akpwons like Candita Batista.
When she was a teenager, her aunt took her and her cousin to cabarets to sing, but her father encouraged her to keep attending school, in hopes that she would become a Spanish language teacher. However, one of her teachers told her that as an entertainer she could earn in one day what most Cuban teachers earned in a month. Cruz began singing in Havana's radio station Radio Garcia-Serra's popular "Hora del Té" daily broadcast, she sang the tango "Nostalgias" (and won a cake as first place) often winning cakes and also opportunities to participate in more contests. Her first recordings were made in 1948 in Venezuela.
Read more about this topic: Celia Cruz
Famous quotes containing the words early life, early and/or life:
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
—Hortense Odlum (1892–?)
“[My early stories] are the work of a living writer whom I know in a sense, but can never meet.”
—Elizabeth Bowen (1899–1973)
“Our democracy, our culture, our whole way of life is a spectacular triumph of the blah. Why not have a political convention without politics to nominate a leader who’s out in front of nobody?... Maybe our national mindlessness is the very thing that keeps us from turning into one of those smelly European countries full of pseudo-reds and crypto-fascists and greens who dress like forest elves.”
—P.J. (Patrick Jake)