Cedric Hardwicke - Stage Career

Stage Career

He made his first appearance on stage at London's Lyceum Theatre in 1912 during the run of Frederick Melville's melodrama The Monk and the Woman, when he took up the part of Brother John. During that year he was at Her Majesty's Theatre understudying, and subsequently appeared at the Garrick Theatre in Charles Klein's play Find the Woman, and Trust the People. In 1913 he joined Benson's Company and toured in the provinces, South Africa and Rhodesia. During 1914 he toured with Miss Darragh (Letitia Marion Dallas, d. 1917) in Laurence Irving's play The Unwritten Law, and he appeared at the Old Vic in 1914 as Malcolm in Macbeth, Tranio in The Taming of the Shrew, and the gravedigger in Hamlet, among many other roles.

World War I intervened in his career, and from 1914 to 1921 he served with the British Army in France. Following his discharge, in January 1922 he joined the Birmingham Repertory Company. He played many classical roles on stage, appearing at London's top theatres, making his name on the stage performing works by George Bernard Shaw, who said that Hardwicke was his fifth favourite actor after the four Marx Brothers. As one of the leading Shavian actors of his generation, Hardwicke starred in such Shavian works as Caesar and Cleopatra, Pygmalion, The Apple Cart, Candida, Too True to Be Good, and Don Juan in Hell, making such an impression that at age 41 he became the youngest actor to be knighted (this occurred in the 1934 New Year's Honours; Laurence Olivier subsequently took the record in 1947 when he was knighted at the age of 40). Other stage successes included The Amazing Dr. Clitterhouse, Antigone and A Majority of One, winning a Tony Award nomination for his performance as a Japanese diplomat. In 1928, while appearing with Edith Day, Paul Robeson and Alberta Hunter in the London production of "Showboat", he married Helena Pickard.

In December 1935, Cedric Hardwicke was elected Rede Lecturer to Cambridge University for 1936. In the late 1930s Hardwicke moved to the USA, initially for film work (see below). In the early 1940s he continued his stage career touring and in New York.

In 1944 he returned to Britain, again touring, and reappeared on the London stage, at the Westminster Theatre, on 29 March 1945, as Richard Varwell in a revival of Eden and Adelaide Phillpotts' comedy Yellow Sands, and subsequently toured in this on the continent. He returned to America late in 1945 and appeared with Ethel Barrymore in December in a revival of Shaw's Pygmalion, and continued on the New York stage the following year. In 1946, he starred opposite Katharine Cornell as King Creon in her production of Jean Anouilh's adaptation of the Greek tragedy Antigone. In 1951–1952, he appeared on Broadway in Shaw's Don Juan in Hell with Agnes Moorehead, Charles Boyer and Charles Laughton.