Career
Gibbons was born in Dublin, Ireland and studied at the Art Students League of New York and worked for his architect father. While at Edison Studios from 1915, he first designed a set for a film released in 1919, assisting Hugo Ballin. But, after this first foray, the studio closed, and he signed with Samuel Goldwyn in 1918. This evolved to working for Louis B. Mayer at Metro-Goldwyn-Mayer from 1924 to 1956—a 32-year career.
Gibbons was one of the original 36 founding members of The Academy of Motion Picture Arts and Sciences and oversaw the design of the Academy Awards statuette in 1928, a trophy for which he himself would be nominated 39 times, winning 11—second only to Walt Disney, who won 26.
He retired in 1956 with about 1,500 films credited to him: however, his contract with MGM dictated that he receive credit as art director for every MGM film released in the United States, even though other designers may have done the bulk of the work. Even so, his actual hands-on art direction may have been on about 150 films.
Read more about this topic: Cedric Gibbons
Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)