In Art
Catherine is very frequently depicted in art, especially in the late Middle Ages, which is also the time that the account of St. Catherine's Mystical Marriage makes its first literary appearance. She can usually be easily recognised as she is richly dressed and crowned, as befits her rank as a princess, and often holds a segment of her wheel as an attribute, or a martyr's palm. She often has long unbound blonde or reddish hair (unbound as she is unmarried). The vision of Saint Catherine of Alexandria usually shows the Infant Christ, held by the Virgin, placing a ring (one of her attributes) on her finger, following some literary accounts, although in the version in the Golden Legend he appears to be adult, and the marriage takes place among a great crowd of angels and "all the celestial court", and these may also be shown.
She is very frequently shown attending on the Virgin and Child, and is usually prominent in scenes of the Master of the Virgo inter Virgines, showing a group of virgin saints surrounding the Virgin and Child. Notable later paintings of Catherine include single figures by Raphael (National Gallery) and Caravaggio (Madrid), Thyssen-Bornemisza Museum).
Read more about this topic: Catherine Of Alexandria
Famous quotes containing the word art:
“Thou art not fair, for all thy red and white,
For all those rosy ornaments in thee.
Thou art not sweet, though made of mere delight”
—Thomas Campion (1567–1620)
“The artistic temperament is a disease that affects amateurs.... Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.”
—Gilbert Keith Chesterton (1874–1936)