Influences
The name 'Laputa' is derived from Jonathan Swift's novel Gulliver's Travels, wherein Swift's Laputa is also a flying island that may be controlled by its citizens. Anthony Lioi feels that Miyazaki's Laputa: Castle in the Sky is similar to Swift's Laputa, where the technological superiority of the castle in the sky is used for political ends.
Laputa is credited by Colonel Muska with having informed Biblical and Hindu legends — thus tying the world of Laputa to our Earth (and to western European civilization) — as do the medieval castle architecture on the ground; the Gothic and half-timbered buildings in the village near the fort; the Welsh mining-town architecture, clothing, and ground vehicles of Pazu's homeland; and the Victorian ambiance of the pirate ship. The anime also makes references to the Hindu epic Ramayana, including "Indra's arrow", while the name Sheeta may be a reference to Sita, the female lead in the Ramayana.
Some of the architecture seen in the film was inspired by a Welsh mining town. Miyazaki first visited Wales in 1984 and witnessed the miners' strike firsthand. He returned to the country in 1986 to prepare for Laputa, which he said reflected his Welsh experience: "I was in Wales just after the miners' strike. I really admired the way the miners' unions fought to the very end for their jobs and communities, and I wanted to reflect the strength of those communities in my film." Miyazaki told The Guardian, "I admired those men, I admired the way they battled to save their way of life, just as the coal miners in Japan did. Many people of my generation see the miners as a symbol; a dying breed of fighting men. Now they are gone."
Read more about this topic: Castle In The Sky
Famous quotes containing the word influences:
“The tourist who moves about to see and hear and open himself to all the influences of the places which condense centuries of human greatness is only a man in search of excellence.”
—Max Lerner (b. 1902)
“I don’t believe in villains or heroes, only in right or wrong ways that individuals are taken, not by choice, but by necessity or by certain still uncomprehended influences in themselves, their circumstances and their antecedents.”
—Tennessee Williams (1914–1983)
“However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.”
—Mary Kay Blakely (20th century)