Background
The films' humour was in the British comic tradition of the music hall and seaside postcards. Many of them parodied more serious films — in the case of Carry On Cleo (1964), the Burton and Taylor film Cleopatra (1963).
The stock-in-trade of Carry On humour was innuendo and the sending-up of British institutions and customs, such as the National Health Service (Nurse, Doctor, Again Doctor, Matron), the monarchy (Henry), the Empire (Up the Khyber), the military (Sergeant) and the trade unions (At Your Convenience) as well as the Hammer horror film (Screaming), camping (Camping), foreigners (Abroad), beauty contests (Girls), and caravan holidays (Behind) among others. Although the films were very often panned by critics, they proved very popular with audiences.
The series began with Carry On Sergeant (1958), about a group of recruits on National Service, and was sufficiently successful that others followed. A film had appeared the previous year under the title Carry on Admiral; although this was a comedy in a similar vein (with Joan Sims in the cast) it has no connection to the series. There was also an unrelated 1937 film Carry On London, starring future Carry On performer Eric Barker.
The cast were poorly paid — around £5,000 per film for a principal performer. In his diaries, Kenneth Williams lamented this and criticised several of the movies despite his declared fondness for the series as a whole. Peter Rogers, the series' producer, acknowledged: "Kenneth was worth taking care of, because while he cost very little he made a very great deal of money for the franchise."
Read more about this topic: Carry On (film series)
Famous quotes containing the word background:
“Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.”
—Friedrich Nietzsche (1844–1900)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)
“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
—Lyndon Baines Johnson (1908–1973)