Notable Monuments and Buildings
Carrara marble has been used since the time of Ancient Rome; the Pantheon and Trajan's Column in Rome are constructed of it. Many sculptures of the Renaissance, such as Michelangelo's David (1501-04), were carved from Carrara marble. For Michelangelo at least, Carrara marble was valued above all other stone, except perhaps that of his own quarry in Pietrasanta.
- The statue to Robert Burns which commands a central position in Dumfries was carved in Carrara by Italian craftsmen working to Amelia Paton Hill's model. It was unveiled by future UK Prime Minister, Archibald Primrose, 5th Earl of Rosebery on 6 April 1882.
- Marble Arch, London
- Duomo di Siena, Siena, Italy
- Manila Cathedral (interior), Manila, Philippines
- Sheikh Zayed Mosque, Abu Dhabi, UAE
- Harvard Medical School buildings, Boston, Massachusetts, USA
- Peace Monument, Washington, DC, USA
- King Edward VII Memorial, Birmingham, UK
- Akshardham (Delhi), Delhi
Read more about this topic: Carrara Marble
Famous quotes containing the words notable, monuments and/or buildings:
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (1894–1963)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (1879–1940)
“The American who has been confined, in his own country, to the sight of buildings designed after foreign models, is surprised on entering York Minster or St. Peter’s at Rome, by the feeling that these structures are imitations also,—faint copies of an invisible archetype.”
—Ralph Waldo Emerson (1803–1882)