Plot
Parachute maker Carmen Jones makes a play for a "fly boy" Air Force man, Joe, who is in love with sweet Cindy Lou and about to marry her on a day pass when Carmen gets into a cat fight with another woman.
Joe's pass is cancelled in order for him to drive her to the next town to be handed over to the non-military police. Instead, she charms and seduces him, and he is put in the stockade for not delivering her to the authorities.
While she waits for Joe to be released from military prison, she hangs around Billy Pastor's jive cafe where she encounters boxer Husky Miller, who is instantly besotted with Carmen, calling her "heatwave".
She is initially uninterested. But her friends Frankie and Mert know that their invitation from Husky's manager to see him fight in Chicago depends on Carmen's being there, too.
Then Joe turns up at the cafe but gets into a fight with his sergeant, who is making a move on Carmen. The train ticket to Chicago originally given to Carmen offers them a way of avoiding the MPs. After a few days holed up with no money and no future with Joe, Carmen pays a visit to her two friends, now covered in diamonds and furs, at Husky's training camp. She is only looking for a loan, but they try to draw her to give up Joe and "go with the money" by staying with Husky.
Later, at Husky's apartment, Frankie reads Carmen's "cards", and reveals the Nine of Spades - the card of Death. In the belief that her days are numbered, Carmen gives in to Husky's advances, abandoning Joe for the luxurious life Husky can offer her.
Cindy Lou comes to look for Joe, but he is still in love with Carmen and spurns Cindy Lou. The night of Husky's title fight, Joe turns up to try to convince Carmen to come back to him, but when she rejects him, he kills her, thus making the cards' prophecy a reality.
Read more about this topic: Carmen Jones
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)