Political Activism and Exile
In 1929, along with Carlo and Nello Rosselli he founded an anti-fascist movement called Giustizia e Libertà, becoming a leader of the Italian branch along with Leone Ginzburg, a Russian Jew from Odessa who had emigrated with his parents to Italy.
As a result of his activism and involvement with anti-fascist movements, Levi was arrested and exiled to Aliano (Gagliano in the book), a town in a remote area of Italy called Lucania from 1935 to 1936. There he encountered a poverty almost unknown in prosperous northern Italy. While there, Levi worked on the side as one of the doctors for the villagers, although he had never practiced medicine after graduating from medical school. During his exile he spent much of his time painting.
After his release, he moved to France and lived there from 1939 to 1941. In 1941, he returned to Italy, and was later arrested in Florence and imprisoned in the Murate prison. He was released following Benito Mussolini's arrest and sought refuge across the street from the Pitti Palace, where he wrote his Cristo si è fermato a Eboli.
After World War II, he moved to Rome and served for a time as the editor of Italia libera, the publication of the Partito d'Azione, an anti-fascist organization that grew out of the republican tradition. He continued to write and paint, exhibiting in Europe and the United States. His written works include L'Orologio (The Watch) (1950), Le parole sono pietre (Words Are Stones) (1955), and Il Futuro ha un Cuore Antico (The Future has an Ancient Heart) (1956). In 1963, he was elected to the Senate as an independent on the Communist Party ticket; he was re-elected to the Senate in 1968 and served there until 1972. He died of pneumonia in Rome on January 4, 1975. He is buried in Aliano. The 'Persiana' Gallery in Palermo exhibited his last work, Apollo and Daphne, executed on a goatskin drum the day before he was admitted to hospital.
Read more about this topic: Carlo Levi
Famous quotes containing the words political and/or exile:
“The people of Western Europe are facing this summer a series of tragic dilemmas. Of the hopes that dazzled the last twenty years that some political movement might tend to the betterment of the human lot, little remains above ground but the tattered slogans of the past.”
—John Dos Passos (18961970)
“The bond between a man and his profession is similar to that which ties him to his country; it is just as complex, often ambivalent, and in general it is understood completely only when it is broken: by exile or emigration in the case of ones country, by retirement in the case of a trade or profession.”
—Primo Levi (19191987)