Carl Wilson - Beach Boys Career

Beach Boys Career

Carl Dean Wilson was born in Hawthorne, California, the youngest son of Audree Neva (née Korthof) and Murry Gage Wilson. From his pre-teens he practiced harmony vocals under the guidance of his brother Brian, who often sang in the family music room with his mother and brothers. Carl's interest in the guitar derived from his admiration for Chuck Berry and, early on, he learned guitar alongside neighbor David Marks, who would also join the emerging garage band that would become the Beach Boys. While Brian Wilson perfected the band's vocal style and keyboard base, Carl's Chuck Berry-esque guitar became an early Beach Boys' trademark. Turning 15 as the group's first hit, "Surfin'", broke locally in Los Angeles, his father and manager, Murry Wilson (who had sold his business to support his sons' band), bought him a Fender Jaguar guitar. Carl markedly developed as a musician and singer through the band's early recordings and the early, evocative "surf lick" sound quickly evolved into the rock sophistication of "Fun, Fun, Fun", recording in 1964 when Carl was 17. By the end of 1964 he was diversifying, favoring the 12-string Rickenbacker that was also notably used by Roger McGuinn in establishing the sound of the Byrds and by George Harrison of the Beatles during this era. Dave Marsh, in The Rolling Stone Illustrated History of Rock & Roll (1976), stated that Pete Townshend of The Who expanded on both R&B and white rock "influenced heavily by Beach Boy Carl Wilson...".

Carl's lead vocals in the band's first three years included "Summertime Blues" (duet with David Marks), "Louie, Louie" (splitting lead with Mike Love), "Pom Pom Play Girl," "All Dressed Up for School" and "Girl Don't Tell Me." Although all members of the band played on their early recordings, Brian Wilson began to engage experienced session musicians to play on Beach Boys backing tracks by 1965. Unlike the other members of the band, Carl often played alongside with session musicians. He also recorded his individual guitar leads during the Beach Boys' vocal sessions, with his guitar plugged directly into the soundboard. His skilled musicianship can be heard distinctly on tracks like 1965's "Girl Don't Tell Me" and 1966's "That's Not Me".

Following his dynamic lead vocal performance on "God Only Knows" in 1966, Carl was increasingly lead vocalist for the band, a role previously dominated by Mike Love and Brian Wilson. He sang many leads on the Smiley Smile and Wild Honey albums, and on the hit singles "Good Vibrations," "Darlin'" and "Wild Honey." His 1969 rendition of "I Can Hear Music" was unique, being the first Beach Boys track produced solely by him.

After Brian Wilson's retirement from touring in 1965, Carl became the leader of the band onstage: contracts at that time stipulated that promoters hired "Carl Wilson plus four other musicians." By 1969, Carl had effectively become the band's in-studio leader, producing the bulk of the albums 20/20, Sunflower, Surf's Up, Carl and the Passions - "So Tough" (named in honor of his effective leadership of the band at this point) and Holland.

Though Carl had written surf instrumentals for the band in the early days, he did not get into his stride as a songwriter until the 1971 album Surf's Up, for which he composed "Long Promised Road" and "Feel Flows", with lyrics by the band's then manager Jack Rieley. Carl considered "Long Promised Road" his first real song. Carl's leadership role in the band diminished somewhat in the late 1970s, due to Brian's brief reemergence as the band's producer and on account of his own substance abuse problems. He nonetheless remained a prominent and recognizable voice in the band, serving as "mixdown producer" on the Brian-produced Love You album.

For 1979's L.A. (Light Album), Carl contributed three songs, among them "Good Timin", co-written with Brian in 1974, which became a Top 40 American hit. Carl's main writing partner in the late 1970s was Geoffrey Cushing-Murray but for 1980's Keepin' The Summer Alive he wrote with Randy Bachman of the band Bachman-Turner Overdrive. Carl told Michael Feeney Callan, writer-director of the RTÉ 1993 documentary The Beach Boys Today (a celebration of the Beach Boys' thirtieth anniversary), that Bachman was his favorite writing partner, "basically because he rocked, and I love to rock".

As a producer and vocalist, Carl Wilson's work was not confined to the Beach Boys. During the 1970s, he also produced records for other artists, notably Ricci Martin (son of Dean Martin) and South African group The Flame, two members of which later temporarily joined the Beach Boys' line-up. He lent backing vocals to many works, including Chicago's hits "Baby, What a Big Surprise" and "Wishing You Were Here" (with Al Jardine and brother Dennis Wilson), Elton John's "Don't Let the Sun Go Down on Me" (with Bruce Johnston), David Lee Roth's hit cover of "California Girls," Warren Zevon's "Desperados Under the Eaves" and the Carnie/Wendy Wilson holiday track "Hey Santa!" Wilson also recorded a duet with Olivia Newton-John, entitled "You Were Great, How Was I?", for her 1985 studio album, "Soul Kiss". It was not released as a single.

Carl Wilson is widely recognized as an important and influential singer in popular music. The renowned countertenor, Iestyn Davies, interviewed by Mark Lawson on BBC Radio 4's Front Row on 16 December 2009, referred to Wilson's lead on "Good Vibrations" as " wonderful male alto solo; exactly the same sound you'd hear from a good singer in a cathedral or on a Baroque opera stage. It's a wonderful sound."