Works
Much of Carl Sandburg's poetry, such as "Chicago", focused on Chicago, Illinois, where he spent time as a reporter for the Chicago Daily News and the Day Book. His most famous description of the city is as "Hog Butcher for the World/Tool Maker, Stacker of Wheat/Player with Railroads and the Nation's Freight Handler,/Stormy, Husky, Brawling, City of the Big Shoulders."
Sandburg is also remembered by generations of children for his Rootabaga Stories and Rootabaga Pigeons, a series of whimsical, sometimes melancholy stories he originally created for his own daughters. The Rootabaga Stories were born of Sandburg's desire for "American fairy tales" to match American childhood. He felt that the European stories involving royalty and knights were inappropriate, and so populated his stories with skyscrapers, trains, corn fairies and the "Five Marvelous Pretzels".
Sandburg earned Pulitzer Prizes for his collection The Complete Poems of Carl Sandburg, Corn Huskers, and for his biography of Abraham Lincoln (Abraham Lincoln: The War Years). He recorded excerpts from the biography and some of Lincoln's speeches for Caedmon Records in New York City in May 1957. He was awarded a Grammy Award in 1959 for Best Performance – Documentary Or Spoken Word (Other Than Comedy) for his recording of Aaron Copland's Lincoln Portrait with the New York Philharmonic.
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Famous quotes containing the word works:
“Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
—Henry David Thoreau (1817–1862)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)
“Puritanism, in whatever expression, is a poisonous germ. On the surface everything may look strong and vigorous; yet the poison works its way persistently, until the entire fabric is doomed.”
—Emma Goldman (1869–1940)