Folk Music
Sandburg's 1927 anthology, the American Songbag, enjoyed enormous popularity, going through many editions; and Sandburg himself was perhaps the first American urban folk singer, accompanying himself on solo guitar at lectures and poetry recitals, and in recordings, long before the first or even the second folk revival movements (of the 1940s and 1960s, respectively). According to musicologist Judith Tick:
As a populist poet, Sandburg bestowed a powerful dignity on what the '20s called the "American scene" in a book he called a "ragbag of stripes and streaks of color from nearly all ends of the earth ... rich with the diversity of the United States." Reviewed widely in journals ranging from the New Masses to Modern Music, the American Songbag influenced a number of musicians. Pete Seeger, who calls it a "landmark", saw it "almost as soon as it came out." The composer Elie Siegmeister took it to Paris with him in 1927, and he and his wife Hannah "were always singing these songs. That was home. That was where we belonged."
Read more about this topic: Carl Sandburg
Famous quotes containing the words folk and/or music:
“Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have “really happened,” or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.”
—Northrop Frye (1912–1991)
“Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence.”
—T.S. (Thomas Stearns)