Works
His most notable work was developing comparative grammar studies of the Bantu languages, building on the pioneering work of Wilhelm Bleek. In his work, Meinhof looked at the common Bantu languages such as Swahili and Zulu to determine similarities and differences.
In his work, Meinhof looked at noun classes with all Bantu languages having at least 10 classes and with 22 classes of nouns existing throughout the Bantu languages, though his definition of noun class differs slightly from the accepted one, considering the plural form of a word as belonging to a different class from the singular form (thus leading, for example, to consider a language like French as having four classes instead of two). While no language has all 22 (later: 23) classes active, Venda has 20, Lozi has 18, and Ganda has 16 or 17 (depending on whether the locative class 23 e- is included). All Bantu languages have a noun class specifically for humans (sometimes including other animate beings).
Meinhof also examined other African languages, including groups classified at the time as Kordofanian, Bushman, Khoikhoi, and Hamitic.
Meinhof developed a comprehensive classification scheme for African languages. His classification was the standard one for many years (Greenberg 1955:3). It was superseded by those of Joseph Greenberg in 1955 and especially in 1963.
In 1902, Meinhof made recordings of East African music. These are among the first recordings made of traditional African music.
Read more about this topic: Carl Meinhof
Famous quotes containing the word works:
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)
“A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
—Anita Brookner (b. 1938)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)