Novelist
After becoming an investigative reporter, Hiaasen began to write novels. His first three were co-written by fellow journalist Bill Montalbano: Powder Burn (1981), Trap Line (1982), and A Death in China (1986). Hiaasen's first venture into writing children's novels was Hoot, which received the Newbery Honor Award and was made into a movie. His second children's novel was Flush then Scat and lastly, Chomp. Hiaasen's young adult novels follow the theme of environmental issues. They also have his characteristic unique characters and some theme of adventure.
Hiaasen is also noted as the person who discovered and helped bring the young adult fantasy novel Eragon to the public. The book, written by Christopher Paolini, was self-published and self-promoted by tour throughout the United States without much attention until it came to Hiaasen's notice in 2002. Hiaasen immediately recommended the novel to publishing house Alfred A. Knopf. The novel went on to become an astounding success, marking the start of a book series that sold over 30 million copies worldwide.
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Famous quotes containing the word novelist:
“The novel is a perfect medium for revealing to us the changing rainbow of our living relationships. The novel can help us to live, as nothing else can: no didactic Scripture, anyhow. If the novelist keeps his thumb out of the pan.”
—D.H. (David Herbert)
“Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
—Ralph Waldo Emerson (1803–1882)
“... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.”
—Marcel Proust (1871–1922)