Later Life
In 1927, Egas moved to New York, but occasionally lived in Spain and Italy, and made numerous trips back to Ecuador. He consecutively assimilated various styles: first, Social Realism, then Surrealism, Neo-Cubism, and finally Abstract Expressionism. In New York, he befriended José Clemente Orozco. In the 1930s, Egas's work included two murals, Harvesting Food in Ecuador: No Profit Motif in Any Face or Figure and Harvesting Food in North America. In 1932 Egas began teaching at the New School for Social Research in New York in and became their first Director of Art in 1935. He taught and directed the art department until his death in 1962, the same year that the school gave him an honorary doctorate in fine arts.
In 1939, Camilo Egas was responsible for decorating and painting a mural for the Ecuadorian Pavilion of the New York World's Fair. The Museo Jijon y Caamano de Arqueologia y Arte Colonial in Quito commissioned him to paint a series of work in oils exploring Andean Indian life.
During the 1950s, Egas exhibited his work in Caracas, Quito, and New York.
Egas died on September 18, 1962 in New York City, New York.
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