Camille Paglia

Camille Paglia

Camille Anna Paglia (/ˈpɑːliə/; born April 2, 1947) is an American author, teacher, and social critic. Paglia, a self-described dissident feminist, has been a professor at The University of the Arts in Philadelphia, Pennsylvania since 1984. She wrote Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), a best-selling work of literary criticism, among other books and essays. She also wrote an analysis of Alfred Hitchcock's The Birds, and Break, Blow, Burn on poetry. She writes articles on art, popular culture, feminism, and politics. Paglia has celebrated Madonna and taken radical libertarian positions on controversial social issues such as abortion, homosexuality and drug use. She is known as a critic of American feminism, and is also strongly critical of the influence of French writers such as Jacques Lacan, Jacques Derrida, and Michel Foucault.

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Famous quotes by camille paglia:

    Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaverlike tunneling to the top.
    Camille Paglia (b. 1947)

    Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it.
    Camille Paglia (b. 1947)

    I’m for a high libido president! I applaud him if he gets up and picks up women.
    Camille Paglia (b. 1947)

    Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.
    Camille Paglia (b. 1947)

    Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straightshooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
    Camille Paglia (b. 1947)