Camera Work - Gallery

Gallery

  • "York Minster: 'In sure and Certain Hope'", by Frederick H. Evans. Camera Work No 4, 1903

  • "Severity", by Robert Demachy. Camera Work No 5, 1904

  • "The Rose", by Eva Watson-Schütze. Camera Work No 9, 1905

  • "Experiment in Three-Color Photography", by Edward Steichen. Camera Work No 15, 1906

  • "Miss Doris Keane", by Paul B. Haviland. Camera Work No 17, 1907

  • "Mary", by Sarah Choate Sears. Camera Work No 18, 1907

  • "Black Bowl", by George Seeley. Camera Work No 20, 1907

  • "Spider-webs", by Alvin Langdon Coburn. Camera Work No 21, 1908

  • "Drops of Rain", by Clarence H. White. Published in Camera Work No 23, 1908

  • "Dawn", by Alice Boughton. Camera Work No 26, 1909

  • "The Steerage", by Alfred Stieglitz. Camera Work No 36, 1911

  • "Drawing (Nude)", by Auguste Rodin. Published in Camera Work No 34/35, 1911

  • "Marchesa Casati", by Adolf de Meyer. Camera Work No 40, 1912

  • "A Snapshot: Paris", by Alfred Stieglitz. Camera Work No 41, 1913

  • "Group on a Hill Road - Granada", by J. Craig Annan. Camera Work No 45, 1914

  • "Theodore Roosevelt", by Marius De Zayas. Published in Camera Work No 46, 1914

  • "White Fence", by Paul Strand. Published in "Camera Work", No 49-50, 1917

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Famous quotes containing the word gallery:

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)