Camera Lens - Aperture and Focal Length

Aperture and Focal Length

The two fundamental parameters of an optical lens are the focal length and the maximum aperture. The lens' focal length determines the magnification of the image projected onto the image plane, and the aperture the light intensity of that image. For a given photographic system the focal length determines the angle of view, short focal lengths giving a wider field of view than longer focal length lenses. A wider aperture, identified by a smaller f-number, allows using a faster shutter speed for the same exposure.

The maximum usable aperture of a lens is specified as the focal ratio or f-number, defined as the lens' focal length divided by the effective aperture (or entrance pupil), a dimensionless number. The lower the f-number, the higher light intensity at the focal plane. Larger apertures (smaller f-numbers) provide a much shallower depth of field than smaller apertures, other conditions being equal. Practical lens assemblies may also contain mechanisms to deal with measuring light, secondary apertures for flare reduction, and mechanisms to hold the aperture open until the instant of exposure to allow SLR cameras to focus with a brighter image with shallower depth of field, theoretically allowing better focus accuracy.

Focal lengths are usually specified in millimetres (mm), but older lenses might be marked in centimetres (cm) or inches. For a given film or sensor size, specified by the length of the diagonal, a lens may be classified as a:

• Normal lens: angle of view of the diagonal about 50° and a focal length approximately equal to the image diagonal.
• Wide-angle lens: angle of view wider than 60° and focal length shorter than normal.
• Long-focus lens: any lens with a focal length longer than the diagonal measure of the film or sensor. Angle of view is narrower. The most common type of long-focus lens is the telephoto lens, a design that uses special optical configurations to make the lens shorter than its focal length.

A side effect of using lenses of different focal lengths is the different distances from which a subject can be framed, resulting in a different perspective. Photographs can be taken of a person stretching out a hand with a wideangle, a normal lens, and a telephoto, which contain exactly the same image size by changing the distance from the subject. But the perspective will be different. With the wideangle, the hands will be exaggeratedly large relative to the head. As the focal length increases, the emphasis on the outstretched hand decreases. However, if pictures are taken from the same distance, and enlarged and cropped to contain the same view, the pictures will have identical perspective. A moderate long-focus (telephoto) lens is often recommended for portraiture because the perspective corresponding to the longer shooting distance is considered to look more flattering.

The widest aperture lens in history of photography is believed to be the Carl Zeiss Planar 50mm f/0.7, which was designed and made specifically for the NASA Apollo lunar program to capture the dark side of the moon in 1966.