Instruments
In earlier years, the fiddle was the predominant instrument. Usually two fiddles were common, one playing the melody while the other provided the séconde, or back-up part. Twin fiddling traditions represent the music in its purest form, as it was brought to Louisiana with the early immigrants and before popular American tunes mingled with it.
Gradually, the Cajun accordion emerged to share the limelight.
In the early 1930s, the accordion was pushed into the background by the popular string sounds of the time. Piano and other string instruments joined fiddle to create a jazzy swing beat strongly influenced by Western Swing of neighboring Texas. The Cajun fiddle was a well established instrument which had been somewhat eclipsed by the German accordion fad, which had similar effect in French Canada. But in the Depression era the tide turned, and, according to Stricklin et al., it had never been eclipsed.
After World War II, the accordion regained its popularity in Cajun music. Also, in the late 1930s and 1940s, country music became the dominant influence on Cajun music, and bass and steel guitars were used.
Modern Cajun music began taking on the influence of jazz and modern country music, resulting in a more polished sound. The acoustic guitar was added, mostly as a rhythm instrument, and the triangle provided a traditional percussion. Modern groups sometimes include drums, electric bass, electric guitars and amplified accordion and fiddles.
Read more about this topic: Cajun Music
Famous quotes containing the word instruments:
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And by that music let us all embrace,
For, heaven to earth, some of us never shall
A second time do such a courtesy.”
—William Shakespeare (15641616)
“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
—Sir Herbert Read (18931968)
“Water, earth, air, fire, and the other parts of this structure of mine are no more instruments of your life than instruments of your death. Why do you fear your last day? It contributes no more to your death than each of the others. The last step does not cause the fatigue, but reveals it. All days travel toward death, the last one reaches it.”
—Michel de Montaigne (15331592)