Cajun Music - Instruments

Instruments

In earlier years, the fiddle was the predominant instrument. Usually two fiddles were common, one playing the melody while the other provided the séconde, or back-up part. Twin fiddling traditions represent the music in its purest form, as it was brought to Louisiana with the early immigrants and before popular American tunes mingled with it.

Gradually, the Cajun accordion emerged to share the limelight.

In the early 1930s, the accordion was pushed into the background by the popular string sounds of the time. Piano and other string instruments joined fiddle to create a jazzy swing beat strongly influenced by Western Swing of neighboring Texas. The Cajun fiddle was a well established instrument which had been somewhat eclipsed by the German accordion fad, which had similar effect in French Canada. But in the Depression era the tide turned, and, according to Stricklin et al., it had never been eclipsed.

After World War II, the accordion regained its popularity in Cajun music. Also, in the late 1930s and 1940s, country music became the dominant influence on Cajun music, and bass and steel guitars were used.

Modern Cajun music began taking on the influence of jazz and modern country music, resulting in a more polished sound. The acoustic guitar was added, mostly as a rhythm instrument, and the triangle provided a traditional percussion. Modern groups sometimes include drums, electric bass, electric guitars and amplified accordion and fiddles.

Read more about this topic:  Cajun Music

Famous quotes containing the word instruments:

    But when to mischiefmortals bend their will,
    How soon they find fit instruments of ill!
    Alexander Pope (1688–1744)

    I rejoice that America has resisted. Three millions of people, so dead to all the feelings of liberty, as voluntarily to submit to be slaves, would have been fit instruments to make slaves of the rest.
    William Pitt, The Elder, Lord Chatham (1708–1778)

    Being the dependents of the general government, and looking to its treasury as the source of all their emoluments, the state officers, under whatever names they might pass and by whatever forms their duties might be prescribed, would in effect be the mere stipendiaries and instruments of the central power.
    Andrew Jackson (1767–1845)