Works
Baronius is best known for his Annales Ecclesiastici, undertaken at the request of Philip Neri as an answer to the anti-Catholic history, the Magdeburg Centuries. He began writing this account of the Church after nearly thirty years of lecturing at Santa Maria in Vallicella. In the Annales he treats history in strict chronological order and keeps theology in the background. Lord Acton called it "the greatest history of the Church ever written". It was in the Annales that Baronius coined the term "Dark Age" in the Latin form saeculum obscurum, to refer to the period between the end of the Carolingian Empire in 888 and the first inklings of the Gregorian Reform under Clement II in 1046.
With its errors, especially in Greek history on which he had to depend upon secondhand information, the work of Baronius stands as an honest attempt to write history. Sarpi, in urging Casaubon to write a refutation of the Annales, warned him never to accuse or suspect Baronius of bad faith.
He also undertook a new edition of the Roman martyrology (1586), in which he removed some entries implausible for historical reasons. He is also known for saying, in the context of the controversies about the work of Copernicus and Galileo, "The Bible teaches us how to go to heaven, not how the heavens go." This remark, which Baronius probably made in conversation with Galileo, was cited by the latter in his Letter to the Grand Duchess Christina (1615).
At the time of the Venetian Interdict, Baronius published a pamphlet Paraenesis ad rempublicam Venetam (1606). It took a stringent papalist line on the crisis. It was answered by the Antiparaenesis ad Caesarem Baronium of Niccolò Crasso in the same year.
Read more about this topic: Caesar Baronius
Famous quotes containing the word works:
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (1689–1761)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
—Edmund Burke (1729–97)