Works
Baronius is best known for his Annales Ecclesiastici, undertaken at the request of Philip Neri as an answer to the anti-Catholic history, the Magdeburg Centuries. He began writing this account of the Church after nearly thirty years of lecturing at Santa Maria in Vallicella. In the Annales he treats history in strict chronological order and keeps theology in the background. Lord Acton called it "the greatest history of the Church ever written". It was in the Annales that Baronius coined the term "Dark Age" in the Latin form saeculum obscurum, to refer to the period between the end of the Carolingian Empire in 888 and the first inklings of the Gregorian Reform under Clement II in 1046.
With its errors, especially in Greek history on which he had to depend upon secondhand information, the work of Baronius stands as an honest attempt to write history. Sarpi, in urging Casaubon to write a refutation of the Annales, warned him never to accuse or suspect Baronius of bad faith.
He also undertook a new edition of the Roman martyrology (1586), in which he removed some entries implausible for historical reasons. He is also known for saying, in the context of the controversies about the work of Copernicus and Galileo, "The Bible teaches us how to go to heaven, not how the heavens go." This remark, which Baronius probably made in conversation with Galileo, was cited by the latter in his Letter to the Grand Duchess Christina (1615).
At the time of the Venetian Interdict, Baronius published a pamphlet Paraenesis ad rempublicam Venetam (1606). It took a stringent papalist line on the crisis. It was answered by the Antiparaenesis ad Caesarem Baronium of Niccolò Crasso in the same year.
Read more about this topic: Caesar Baronius
Famous quotes containing the word works:
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
—Martina Navratilova (b. 1956)