Periods
Byzantine art and architecture is divided into four periods by convention: the Early period, commencing with the Edict of Milan (when Christian worship was legitimized) and the transfer of the imperial seat to Constantinople, extends to 842 AD, with the conclusion of Iconoclasm; the Middle, or high period, begins with the restoration of the icons in 843 and culminates in the Fall of Constantinople to the Crusaders in 1204; the Late period includes the eclectic osmosis between Western European and traditional Byzantine elements in art and architecture, and ends with the Fall of Constantinople to the Ottoman Turks in 1453. The term post-Byzantine is then used for later years, whereas Neo-Byzantine is used for art and architecture from the 19th century onwards, when the dissolution of the Ottoman Empire prompted a renewed appreciation of Byzantium by artists and historians alike.
Read more about this topic: Byzantine Art
Famous quotes containing the word periods:
“Those who weep for the happy periods which they encounter in history acknowledge what they want; not the alleviation but the silencing of misery.”
—Albert Camus (1913–1960)
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.”
—Henry David Thoreau (1817–1862)
“Compared to football, baseball is almost an Oriental game, minimizing individual stardom, requiring a wide range of aggressive and defensive skills, and filled with long periods of inaction and irresolution. It has no time limitations. Football, on the other hand, has immediate goals, resolution on every single play, and a lot of violence—itself a highlight. It has clearly distinguishable hierarchies: heroes and drones.”
—Jerry Mander, U.S. advertising executive, author. Four Arguments for the Elimination of Television, ch. 15, Morrow (1978)