Criticism
The impact of these areas on the urban fabric has been criticized by conservatives:
- A result of this form of territorial colonization is the proliferation of spaces which escape the control of the built realm: voids between fragments of unconnected residential schemes, gaps between urbanized zones, abandoned farmland, etc. While we debate on whether the traditional city block is a naïve solution to the problem of ordering immediate periphery, a new approach to spacial organization arises with the ease that characterizes any new consumer good, an approach which questions the conventional references of urbanism: the so-called 'commercial, industrial, business and theme park'. ...
- The urbanized park originally sprang the hybridization of the garden-city and Anglo-Saxon university campus models. It adopted the former's low-rise buildings and attention to free spaces as a way of shaping the environment, and the latter's autonomous constructions. In sum, parks are thematic precincts of autonomous architectural set pieces arranged around parking lots and communal services, and are situated at the most accessible points of the metropolitan road network.
- (José María Ezquiaga (November–December 1998). "The City: Folds and Pieces". AV Monographs 74: 4–11.)
Read more about this topic: Business Parks
Famous quotes containing the word criticism:
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“Parents sometimes feel that if they don’t criticize their child, their child will never learn. Criticism doesn’t make people want to change; it makes them defensive.”
—Laurence Steinberg (20th century)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)