Burn Notice - Plot

Plot

The title of the series refers to the burn notices issued by intelligence agencies to discredit or announce the dismissal of agents or sources who are considered to have become unreliable. When spies are burned, their connection to an espionage organization is terminated, leaving them without access to cash or influence. According to the narration during the opening credits, the burned spy has no prior work history, no money, no support network – in essence, no identity. The television series uses second-person narrative and frequent voice-overs providing exposition from the viewpoint of covert-operations agent Michael Westen, played by Jeffrey Donovan. The voice-over commentary is in the form of tips for fledgling agents as if for a training or orientation film.

After fleeing a blown operation in Nigeria and being kidnapped and beaten, Westen finds himself in his hometown of Miami, Florida. He is tended to by his ex-girlfriend, Fiona Glenanne, but he has been abandoned by all his normal intelligence contacts and is under continuous surveillance with his personal assets frozen. Extraordinary efforts to reach his U.S. government handler eventually yield only a grudging admission that someone powerful wants him "on ice" in Miami. If he leaves there, he will be hunted down and taken into custody. If he stays, he can remain relatively free. Consumed by the desire to find out who burned him, and why, Westen is reluctantly drawn into working as an unlicensed private investigator and problem solver for ordinary citizens to fund his personal investigation into his situation as a blacklisted agent.

Westen invites his old friend Sam Axe to assist him, while Fiona invites herself to join them. With the occasional assistance and sometimes hindrance of his mother, Madeline, Westen battles an array of such criminal figures as mobsters, gangs, con artists, murderers, thieves, arms traffickers, kidnappers, money launderers, and drug traffickers. At the same time, Michael must follow the trail that leads him to the people responsible for his being burned, and later finding out why.

The series juggles these two narratives; the overall series dealing with why Michael was burned, and individual episodes focusing on the cases he works for clients.

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Famous quotes containing the word plot:

    Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
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    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
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