Public Access
The courtyard of Burlington House is open to the public during the day. The Royal Academy's public art exhibitions are staged in nineteenth-century additions to the main block which are of little architectural interest. However in 2004 the principal reception rooms on the piano nobile were opened to the public after restoration as the "John Madejski Fine Rooms". They contain many of the principal works in the academy's permanent collection, which predominantly features works by Royal Academicians, and small temporary exhibitions drawn from the collection. The east, west and Piccadilly wings are private.
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“A state that denies its citizens their basic rights becomes a danger to its neighbors as well: internal arbitrary rule will be reflected in arbitrary external relations. The suppression of public opinion, the abolition of public competition for power and its public exercise opens the way for the state power to arm itself in any way it sees fit.... A state that does not hesitate to lie to its own people will not hesitate to lie to other states.”
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“The Hacker Ethic: Access to computers—and anything which might teach you something about the way the world works—should be unlimited and total.
Always yield to the Hands-On Imperative!
All information should be free.
Mistrust authority—promote decentralization.
Hackers should be judged by their hacking, not bogus criteria such as degrees, age, race, or position.
You can create art and beauty on a computer.
Computers can change your life for the better.”
—Steven Levy, U.S. writer. Hackers, ch. 2, “The Hacker Ethic,” pp. 27-33, Anchor Press, Doubleday (1984)