History
Stickers have long been used to convey messages, including political and informational messages, on various surfaces that they might be placed. The introduction of stickers made specifically for the purpose of placement on vehicle bumpers necessarily date roughly with the introduction of the automobile bumper; the Ford Model T lacked bumpers to which bumper stickers could be conveniently attached, but the Ford Model A, introduced in 1927, had them. One online source credits the current bumper sticker to Forest P. Gill, a silkscreen printer from Kansas City.
The first bumper stickers appeared shortly before World War II; they were flag-like, and attached to the bumper by wires. Gill replaced the wire attachments with pressure sensitive adhesive, and as a result bumper stickers became more widespread and practical.
The first widespread use of the advertising bumper sticker might have been the ubiquitous "See Rock City" signs, touting a tourist attraction atop Lookout Mountain, Tennessee. In the 1940s, visitors to the site had a sticker applied to their car, which duplicated the famous signs painted on the roofs of barns throughout the southeastern USA. Rock City staff would circulate through the parking lot, applying the promotional sticker to every car. Although called "stickers", these bumper signs were really lightweight, screen-printed cardboard. They were attached by means of thin aluminum strips, running through the end of the sign and wrapping around the bumper.
Read more about this topic: Bumper Sticker
Famous quotes containing the word history:
“There is a history in all men’s lives,
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The which observed, a man may prophesy,
With a near aim, of the main chance of things
As yet not come to life.”
—William Shakespeare (1564–1616)
“It is the true office of history to represent the events themselves, together with the counsels, and to leave the observations and conclusions thereupon to the liberty and faculty of every man’s judgement.”
—Francis Bacon (1561–1626)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)