Buffy The Vampire Slayer (film) - Continuity With The Television Show

Continuity With The Television Show

Many of the details given in the film differ from the continuity of the later television series. For example, Buffy's history is dissimilar, and both the vampires' and Slayer's abilities are depicted differently. The vampires in the films die like humans, while in the TV show they turn to dust. Joss Whedon has expressed his disapproval with the movie's interpretation of the script, stating, "I finally sat down and had written it and somebody had made it into a movie, and I felt like — well, that's not quite her. It's a start, but it's not quite the girl."

According to the Official Buffy Watcher's Guide, Whedon wrote the pilot to the TV series as a sequel to his original script, which is why the show makes references to events that did not occur in the film. In 1999, Dark Horse Comics released a graphic novel adaptation of Whedon's original script under the title, The Origin. Whedon stated: "The Origin comic, though I have issues with it, CAN pretty much be accepted as canonical. They did a cool job of combining the movie script with the series, that was nice, and using the series Merrick and not a certain OTHER thespian who shall remain hated."

Read more about this topic:  Buffy The Vampire Slayer (film)

Famous quotes containing the words continuity with, continuity, television and/or show:

    Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.
    John Dos Passos (1896–1970)

    Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.
    John Dos Passos (1896–1970)

    The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.
    Frederic Raphael (b. 1931)

    A people’s literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people as no historical reconstruction can.
    Edith Hamilton (1867–1963)