Life in Staten Island, New York
Cody brought his "Wild West Show" to an area of Mariners Harbor called Erastina (named for Staten Island promoter Erastus Wiman) for two seasons from June to October in 1886 and again in 1887. During the winter of 1886, the show moved indoors to Madison Square Garden. His show, featuring Native Americans, trick riders, "the smallest cowboy" and sharpshooters (including Annie Oakley), is said to have drawn millions of visitors to the island.
His 1879 autobiography is titled The Life and Adventures of Buffalo Bill. A final autobiography, titled "The Great West That Was: 'Buffalo Bill's' Life Story," was serialized in Hearst's International Magazine from August 1916 to July 1917 and ghostwritten by James J. Montague. It contained a number of errors, in part because of its completion after Cody's death in January 1917.
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Famous quotes containing the words life in, life, staten and/or york:
“Among the earliest institutions to be invented, if I read the stars right, is a Protestant monastery, a place of elegant seclusion where melancholy gentlemen and ladies may go to spend the advanced session of life in drinking milk, walking the woods & reading the Bible and the poets.”
—Ralph Waldo Emerson (1803–1882)
“When he who adores thee has left but the name
Of his fault and his sorrows behind,
O! say wilt thou weep, when they darken the fame
Of a life that for thee was resign’d!”
—Thomas Moore (1779–1852)
“I have hardly begun to live on Staten Island yet; but, like the man who, when forbidden to tread on English ground, carried Scottish ground in his boots, I carry Concord ground in my boots and in my hat,—and am I not made of Concord dust? I cannot realize that it is the roar of the sea I hear now, and not the wind in Walden woods. I find more of Concord, after all, in the prospect of the sea, beyond Sandy Hook, than in the fields and woods.”
—Henry David Thoreau (1817–1862)
“The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes—McCarthy and Stalin—that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.”
—Ishmael Reed (b. 1938)