Hit Songs
- "An Apple Blossom Wedding" (1947)
- "Baby, It's Cold Outside" (1949) (Duet with Dinah Shore)
- "Ballerina" (1948)
- "Confess" (1948) (Duet with Doris Day, flip side of Love Somebody, Columbia 38174; also a hit for Patti Page)
- "Don't You Love Me Anymore" (1947)
- "A Dreamer's Holiday" (1949) (bigger hit for Perry Como)
- "Girl Of My Dreams" (with Mitchell Ayres and His Orchestra)
- "How Are Things in Glocca Morra?" (1947) (bigger hit for Dick Haymes)
- "I'll Dance at Your Wedding" (1947) (flip side of These Things Money Can't Buy)
- "I'll Get By (As Long As I Have You)" (with Mitchell Ayres & His Orchestra)
- "I Love You So Much It Hurts" (1949)
- "It's a Big, Wide, Wonderful World" (1949) (with Mitchell Ayres and His Orchestra)
- "Linda" (1947)
- "Love Somebody" (1948) (Duet with Doris Day)
- "Matinee" (1948)
- "May I Have the Next Romance?" (1936)
- "My Darling, My Darling" (1948) (Duet with Doris Day)
- "Now Is the Hour" (1948) (bigger hit for both Bing Crosby and Gracie Fields)
- "Peg O' My Heart" (1947) (bigger hit for Jerry Murad and the Harmonicats)
- "Powder Your Face with Sunshine" (1949) (Duet with Doris Day)
- "Rosalie" (with Mitchell Ayres & His Orchestra)
- "The Rhythm of the Rhumba" (Duet with Joe Host and the Lud Gluskin orchestra) (1936)
- "Serenade" (1948)
- "She Shall Have Music" (1936)
- "South America, Take It Away!" (with Xavier Cugat and His Orchestra)
- "Spring Is Here" (1938)
- "Take My Heart" (1936) (flip side of These Foolish Things)
- "These Foolish Things" (1936)
- "These Things Money Can't Buy" (1947) (flip side of I'll Dance at Your Wedding)
- "The Treasure of Sierra Madre" (1948)
- "Until Today" (1936)
- "Where the Apple Blossoms Fall" (1948)
- "You Are Never Away" (1948)
- "You're Breaking My Heart" (Orchestra & Chorus Conducted by Harry Zimmerman)
Read more about this topic: Buddy Clark
Famous quotes containing the words hit and/or songs:
“In the felt of the morning the calico minded,
sufficiently starched, insert papers, hit keys,
efficient and sure as their adding machines;
yet they weep in the vault,”
—Patricia K. Page (b. 1916)
“And songs climb out of the flames of the near campfires,
Pale, pastel things exquisite in their frailness
With a note or two to indicate it isnt lost,
On them at least. The songs decorate our notion of the world
And mark its limits, like a frieze of soap-bubbles.”
—John Ashbery (b. 1927)
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