Modern History
In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle epoque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale. Many people feel King Edward's heavy redecoration of the palace does not complement Nash's original work. However, it has been allowed to remain for over one hundred years.
The east front of Buckingham Palace was completed in 1850 (shown on the left); it was remodelled to its present form in 1913 (shown on the right).The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932) which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.
A 1999 book published by the Royal Collection Department reported that the palace contained 19 state rooms, 52 principal bedrooms, 188 staff bedrooms, 92 offices, and 78 bathrooms. While this may seem large, it is small when compared to the Russian imperial palaces in Saint Petersburg and at Tsarskoe Selo, the Papal Palace in Rome, the Royal Palace of Madrid, the Stockholm Palace, or indeed the former Palace of Whitehall, and tiny compared to the Forbidden City and Potala Palace. The relative smallness of the palace may be best appreciated from within, looking out over the inner quadrangle. A minor change was made in 1938, in which the north-west pavilion, designed by Nash as a conservatory and altered in 1911–13 to a racquets court, was converted into a swimming pool.
During World War I the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence.
The palace fared worse during World War II; it was bombed no less than seven times, the most serious and publicised of which resulted in the destruction of the palace chapel in 1940. Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:
By the Editor: The King and Queen have endured the ordeal which has come to their subjects. For the second time a German bomber has tried to bring death and destruction to the home of Their Majesties...When this war is over the common danger which King George and Queen Elizabeth have shared with their people will be a cherished memory and an inspiration through the years.The damaged Palace was carefully restored after the War by John Mowlem & Co.
On 15 September 1940, known as the Battle of Britain Day, an RAF pilot, Ray Holmes of No. 504 Squadron RAF rammed a German bomber he believed was going to bomb the Palace. Holmes had run out of ammunition and made the quick choice to ram it. Holmes bailed out. Both aircraft crashed. In fact the Dornier Do 17 bomber was empty. It had already been damaged, two of its crew had been killed and the remainder bailed out. Its pilot, Feldwebel Robert Zehbe, landed only to die later of wounds suffered during the attack. During the Dornier's descent, it somehow unloaded its bombs, one of which hit the Palace. It then crashed into the forecourt of London Victoria station. The bomber's engine was later exhibited at the Imperial War Museum in London. The British pilot became a King's Messenger following the war, and died at the age of 90 in 2005.
On VE Day—8 May 1945—the palace was the centre of British celebrations, with the King, Queen and the Princess Elizabeth, the future Queen, and Princess Margaret appearing on the balcony, with the palace's blacked-out windows behind them, to the cheers from a vast crowd in the Mall.
The boy Jones was an intruder who gained entry to the palace on three occasions between 1838 and 1841 as recorded by Charles Dickens some 40 years later. In 1982, Michael Fagan was able to break into the palace twice, and conversed with the Queen on one of these occasions. Reportedly, Her Majesty maintained her composure while the palace police were en route and Fagan made no threatening motions towards the Queen.
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