Setting
The series begins in the late 2032, seven years after the Second Great Kanto Earthquake has split Tokyo geographically and culturally in two. During the first episode, disparities in wealth are shown to be more pronounced than in previous periods in post-war Japan.
The main antagonist is Genom, a megacorporation with immense power and global influence. Its main product are boomers - cyberdroids used for manual labor and military purposes. While Boomers are intended to serve mankind, they become deadly instruments in the hands of ruthless individuals. The AD Police are tasked to deal with Boomer-related crimes. One of the series' themes is the inability of the department to deal with threats due to political infighting, red tape, and an insufficient budget.
The Knight Sabers are an all-female mercenary team and have considerable combat abilities using highly advanced suits of powered armor. They battle against long odds to overcome grave threats throughout the OVA series and preserve the overall safety of Mega Tokyo.
Read more about this topic: Bubblegum Crisis
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“In my dealing with my child, my Latin and Greek, my accomplishments and my money stead me nothing; but as much soul as I have avails. If I am wilful, he sets his will against mine, one for one, and leaves me, if I please, the degradation of beating him by my superiority of strength. But if I renounce my will, and act for the soul, setting that up as umpire between us two, out of his young eyes looks the same soul; he reveres and loves with me.”
—Ralph Waldo Emerson (1803–1882)
“The trees stand in the setting sun,
I in their freckled shade
Regard the cavalcade of sin,
Remorse for foolish action done,
That pass like ghosts regardless, in
A human image made....”
—Philip Larkin (1922–1986)
“When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls.”
—Henry David Thoreau (1817–1862)