Brooklyn Museum - Selections From The American Collection

Selections From The American Collection

  • Charles Wilson Peale, George Washington, c. 1776

  • Samuel Morse, Portrait of John Adams, 1816

  • Edward Hicks, The Peaceable Kingdom, c. 1830-1840

  • John J. Audubon, Wild Turkey, lithograph, c. 1861

  • Eastman Johnson, A Ride for Liberty – The Fugitive Slaves, c. 1862

  • Albert Pinkham Ryder, Evening Glow The Old Red Cow, 1870-1875

  • Winslow Homer, The Northeaster, c. 1883

  • George Inness, Sunrise, 1887

  • Thomas Eakins, Letitia Wilson Jordan, 1888

  • John Singer Sargent, Paul César Helleu Sketching with His Wife, 1889

  • Childe Hassam, Late Afternoon, New York, Winter, c. 1900

  • Thomas Eakins, William Rush Carving his Allegorical Figure of the Schuylkill River, 1908

  • William Glackens, Nude with Apple, 1909-1910

  • George Bellows, A Morning Snow--Hudson River, 1910

  • Georgia O'Keeffe, Blue 1, 1916

  • Marsden Hartley, Landscape, New Mexico, 1916-1920

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    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    It’s rather grisly, isnt it, how soon a living man becomes nothing more than a collection of stocks and bonds and debts and real estate?
    John Dos Passos (1896–1970)