The Station in Popular Culture
- In the Neil Gaiman novel Neverwhere the main character, Richard Mayhew, a Londoner, protests that there is no British Museum Station - only to be proved wrong when the train he is on stops there.
- The station was mentioned in the 1972 horror film Death Line, but contrary to popular belief, it is not the station portrayed in the film as being the home of a community of cannibals descended from Victorian railway workers. The cannibals venture out at night to snatch travellers from the platforms of operating stations and take them back to their gruesome 'pantry' at an incomplete station. Donald Pleasence stars as the investigating police inspector, and when finally cornered, one of the cannibals screams a corrupted form of "Mind the doors!", obviously having picked it up parrot-fashion from the guards on the Underground trains. The station in question is named simply 'Museum' and is clearly stated as being 'between' Holborn and British Museum stations in a conversation between Pleasance's character and a colleague. It is supposedly part of a completely separate line that was not completed owing to the construction company going bankrupt. Signs in the abandoned station also only state 'Museum' as the name.
- The station did feature in the Bulldog Drummond spin-off film Bulldog Jack (not a Sherlock Holmes film, as some sources claim), as the location reached by a secret tunnel leading from the inside of a sarcophagus in the British Museum. The villain (Ralph Richardson) was finally cornered and forced into a sword duel on the disused platforms, which were a studio set. The station was renamed 'Bloomsbury' in the film.
- The station briefly featured in the computer game Broken Sword: The Smoking Mirror, in which Nico Collard escapes from the British Museum and finds the station. She then manages to stop the passing trains. The station in the game, however, is depicted as having its exit actually inside the British Museum itself. A station named 'Museum' also features in the earlier game Beneath a Steel Sky, by the same company, but the apparent Australian setting for the latter game, as well as its proximity to a station named 'St James' suggests this is actually Museum railway station, Sydney.
- The station is mentioned in the novel Tunnel Vision by Keith Lowe. It mentions that a restaurant is on the site of the old station, of which there is nothing left.
- The station appears in 'Pornography' by Simon Stephens. A brother takes his sister there saying, 'It's for the British Museum. It's not been used for sixty years. They closed it because there was no need of it any more. With Holborn and Tottenham Court Road.' The sister says, 'You can imagine the people... Standing there.'
- The station is reputed to be haunted by the ghost of the daughter of an Egyptian Pharaoh called Amen-Ra which would appear and scream so loudly that the noise would carry down the tunnels to adjourning stations.
Read more about this topic: British Museum Tube Station
Famous quotes containing the words popular culture, station, popular and/or culture:
“The lowest form of popular culturelack of information, misinformation, disinformation, and a contempt for the truth or the reality of most peoples liveshas overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“[T]here is no situation so deplorable ... as that of a gentlewoman in real poverty.... Birth, family, and education become misfortunes when we cannot attain some means of supporting ourselves in the station they throw us into. Our friends and former acquaintances look on it as a disgrace to own us.... If we were to attempt getting our living by any trade, people in that station would think we were endeavoring to take their bread out of their mouths.”
—Sarah Fielding (17101768)
“If they have a popular thought they have to go into a darkened room and lie down until it passes.”
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“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)