Career
Fonda first became involved with the theatre when she was cast in a school production of Harvey. She refused to solicit acting tips and advice from her famous relatives and studied method acting at New York University's Tisch School of the Arts and the Lee Strasberg Theatre Institute and graduated from NYU in 1986.
She made her film debut at the age of five in the 1969 movie Easy Rider as a child in the hippie commune that Peter Fonda and Dennis Hopper visit on their trek across the United States. Her second (also non-speaking) bit part was in the 1982 comedy Partners. In 1988, she got her first substantial film role, costarring with John Hurt in Scandal, based on the Profumo affair. That year she also appeared in You Can't Hurry Love and Shag.
Her breakthrough role was as a journalist in The Godfather, Part III. After gaining additional work experience in a few theater productions she was cast in the lead in Barbet Schroeder's Single White Female, followed by a role in Cameron Crowe's ensemble comedy Singles, both in 1992. A review in the New Yorker proclaimed her "provocative, taunting assertiveness", and Rolling Stone said Fonda was "a comic delight". In 1997, Fonda was on the same plane flight as Quentin Tarantino when he offered her the part of a beach babe in Jackie Brown. Fonda was also offered the lead role in the television series Ally McBeal (later accepted by Calista Flockhart), but turned it down to focus on her film career.
Read more about this topic: Bridget Fonda
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)