Television and Film Appearances
Michaels and actor Charlie Sheen established a film production company, Sheen/Michaels Entertainment, which produced the movie A Letter from Death Row (1998), which Michaels wrote, directed and starred in, and for which he released a soundtrack album. They also produced No Code of Conduct that same year, which Michaels also directed and acted in. Their company also produced the feature film Free Money, starring Marlon Brando and Mira Sorvino, and the surfer movie In God's Hands in which Michaels also had a small acting role.
Michaels appeared in the CBS sitcom Yes, Dear, Season 1, Episode 6, titled Greg's Big Day, first aired November 6, 2000. He also appeared as himself in three episodes of The Chris Isaak Show from 2001 to 2004.
On May 1, 2008, Michaels appeared on a special celebrity edition of Don't Forget the Lyrics!, on which he raised $200,000 to donate to charity.
Michaels appeared on the 2009 Tony Awards, during which a he was struck in the head by a set piece. He subsequently sued the event's organizers, claiming that the collision led to his 2010 brain hemorrhage. The suit is currently pending.
In 2010, Michaels was the winning contestant on the NBC reality television series Celebrity Apprentice 3 on NBC.
Michaels stars in a series named Bret Michaels: Life As I Know It, which depicts his life at home with his daughters and their mother. Filming of the series began before Michaels' health troubles, and filming was suspended after his hospitalization. VH1 aired a preview of the series on May 31, 2010, and the series aired in fall 2010.
Michaels hosted the Miss Universe 2010 pageant along with Natalie Morales on August 23, 2010.
Michaels appeared on Extreme Makeover: Home Edition's Gibb's Family Episode that aired on January 6, 2012.
Read more about this topic: Bret Michaels
Famous quotes containing the words television, film and/or appearances:
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“We often think ourselves inconsistent creatures, when we are the furthest from it, and all the variety of shapes and contradictory appearances we put on, are in truth but so many different attempts to gratify the same governing appetite.”
—Laurence Sterne (1713–1768)