Television and Film Appearances
Michaels and actor Charlie Sheen established a film production company, Sheen/Michaels Entertainment, which produced the movie A Letter from Death Row (1998), which Michaels wrote, directed and starred in, and for which he released a soundtrack album. They also produced No Code of Conduct that same year, which Michaels also directed and acted in. Their company also produced the feature film Free Money, starring Marlon Brando and Mira Sorvino, and the surfer movie In God's Hands in which Michaels also had a small acting role.
Michaels appeared in the CBS sitcom Yes, Dear, Season 1, Episode 6, titled Greg's Big Day, first aired November 6, 2000. He also appeared as himself in three episodes of The Chris Isaak Show from 2001 to 2004.
On May 1, 2008, Michaels appeared on a special celebrity edition of Don't Forget the Lyrics!, on which he raised $200,000 to donate to charity.
Michaels appeared on the 2009 Tony Awards, during which a he was struck in the head by a set piece. He subsequently sued the event's organizers, claiming that the collision led to his 2010 brain hemorrhage. The suit is currently pending.
In 2010, Michaels was the winning contestant on the NBC reality television series Celebrity Apprentice 3 on NBC.
Michaels stars in a series named Bret Michaels: Life As I Know It, which depicts his life at home with his daughters and their mother. Filming of the series began before Michaels' health troubles, and filming was suspended after his hospitalization. VH1 aired a preview of the series on May 31, 2010, and the series aired in fall 2010.
Michaels hosted the Miss Universe 2010 pageant along with Natalie Morales on August 23, 2010.
Michaels appeared on Extreme Makeover: Home Edition's Gibb's Family Episode that aired on January 6, 2012.
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Famous quotes containing the words television, film and/or appearances:
“... there is no reason to confuse television news with journalism.”
—Nora Ephron (b. 1941)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“The appearances of goodness and merit often meet with a greater reward from the world than goodness and merit themselves.”
—François, Duc De La Rochefoucauld (1613–1680)