Bret Easton Ellis - Biography

Biography

Ellis was born to a wealthy California household. His father, who Ellis alleges was abusive, became the basis of Ellis's most well-known character Patrick Bateman, and the frosty relationship between Victor and his father in Glamorama is based in part on this as well. He attended Bennington College, where he met and befriended fellow writers Donna Tartt, Jonathan Lethem, Francis Lombard and Joseph McLaughlin, none of whom were aware of his literary aspirations. After rising to fame with Less Than Zero in 1985, Ellis became closely associated and good friends with fellow Brat Pack writer Jay McInerney: the two became known as the "toxic twins". The writer became a pariah for a time following American Psycho (1991), which later became a cult hit, more so after its 2000 movie adaptation. It is now regarded as Ellis' magnum opus and is favorably looked upon by academics. The Informers (1994) was offered to his publisher during Glamorama's long writing history. Ellis wrote a screenplay for The Rules of Attraction's film adaptation which was not used. Ellis records a fictionalized version of his life story up until this point in the first chapter of Lunar Park (2005). After the death of his lover Michael Wade Kaplan, Ellis was spurred to finish Lunar Park and inflected it with a new tone of wistfulness. In Lunar Park, through his fictional alter ego and the character's relationship with his own son, Ellis resolved some of the issues surrounding his father.

Later, Ellis was approached by young screenwriter Nicholas Jarecki to adapt The Informers into a film; the script they co-wrote was cut from 150 to 94 pages and taken from Jarecki to give to Australian director Gregor Jordan, whose light-on-humor vision of the film was met with unanimously negative reviews when the film was released in 2009. Despite setbacks as a screenwriter, Ellis teamed up with acclaimed director Gus Van Sant in 2009 to adapt the Vanity Fair article "The Golden Suicides" into a film of the same name, depicting the paranoid final days and suicides of celebrity artists Theresa Duncan and Jeremy Blake. In 2010, Ellis released the sequel to his debut novel, in the form of Imperial Bedrooms. Ellis wrote it following his own return to LA and fictionalises his work on the film adaptation of The Informers, from the perspective of Clay. Positive reviews felt it was a culmination of the themes began respectively in Less Than Zero, American Psycho and Lunar Park. Negative reviews noted the novel's rehashed themes and listless writing.