Breaking Away - Plot

Plot

Dave (Dennis Christopher), Mike (Dennis Quaid), Cyril (Daniel Stern) and Moocher (Jackie Earle Haley) are four working-class friends, living in the college town of Bloomington, Indiana. Now turning 19 years of age, they all graduated from high school the year before and are not sure what to do next with their lives. They spend much of their time together swimming in an old abandoned water-filled quarry, but also often clash with the more affluent Indiana University students in their hometown, who habitually refer to them as "cutters", a derogatory term for locals stemming from the local Indiana Limestone industry and the stonecutters who worked the quarries.

Dave is obsessed with competitive bicycle racing, particularly the Italians because he recently won a Masi bicycle. His down-to-earth father, Ray (Paul Dooley), a former stonecutter who now operates (sometimes unethically) his own used car business, is puzzled and exasperated by his son's love of Italian music and culture, which Dave associates with cycling. However, his mother Evelyn (Barbara Barrie) is more understanding.

Dave develops a crush on a university student named Katherine (Robyn Douglass) and masquerades as an Italian exchange student in order to romance her. One evening he serenades "Katerina" outside her dorm, with Cyril providing guitar accompaniment. When her boyfriend Rod (Hart Bochner) finds out, he and some of his fraternity brothers beat up Cyril, mistaking him for Dave. Though Cyril wants no trouble, Mike insists on tracking down Rod and starting a brawl. The University president (then-University president Dr. John W. Ryan) reprimands the students for their arrogance toward the "cutters" and over their objections invites the latter to participate in the annual Indiana University Little 500 race.

When a professional Italian cycling team comes to town for a racing event, Dave is thrilled to be competing with them. However, the Italians become irked when Dave is able to keep up with and even speak to them in Italian during the race. One of them jams a tire pump in Dave's wheel, causing him to crash, which leaves him disillusioned and depressed. This is a major turning point in the movie because earlier he was upset with his father for his unethical business practices. He now realizes everyone cheats.

Dave's friends persuade him to join them in forming the locals' cycling team for the Little 500. Dave's parents provide t-shirts with the name "Cutters" on them. Dave's father remarks how, when he was a young stonecutter, he was proud to help provide the material to construct the university, yet never felt comfortable being on campus. Dave is so much better than the other competitors, he rides without a break and builds up a large lead, while the other teams have to switch cyclists every few laps. However, he is injured and has to stop. After some hesitation, Moocher, Cyril and Mike take turns pedaling, but soon their lead evaporates. Finally, Dave has his feet taped to the bike pedals and starts making up lost ground; he overtakes Rod on the last lap and wins.

Dave's father is immensely proud of his son's accomplishment, so much so that he takes to riding a bicycle himself. Having finally decided on a direction in life, Dave later enrolls at the university himself, where he meets a pretty, newly arrived French student. Soon, he is extolling the superiority of French cyclists and culture, and the film ends with him greeting his father by saying, "Bonjour, Papa," much to his father's astonishment.

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Famous quotes containing the word plot:

    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
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    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
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