BP/EP Differences in The Informal Spoken Language
There are various differences between European Portuguese (EP) and Brazilian Portuguese (BP), such as the dropping of the second person conjugations (and, in some dialects, of the 2nd person pronoun itself) in everyday usage and use of subject pronouns (ele, ela, eles, elas) as direct objects. Portuguese people can understand Brazilian Portuguese well. However, some Brazilians find European Portuguese difficult to understand at first. This is mainly because European Portuguese tends to compress words to a greater extent than in Brazil – for example, tending to drop unstressed /e/ – and to introduce greater allophonic modifications of various sounds. Another reason is that Brazilians have almost no contact with the European variant, while Portuguese are used to watching Brazilian television programs and listening to Brazilian music.
Read more about this topic: Brazilian Portuguese
Famous quotes containing the words differences, informal, spoken and/or language:
“When was it that the particles became
The whole man, that tempers and beliefs became
Temper and belief and that differences lost
Difference and were one? It had to be
In the presence of a solitude of the self....”
—Wallace Stevens (1879–1955)
“We are now a nation of people in daily contact with strangers. Thanks to mass transportation, school administrators and teachers often live many miles from the neighborhood schoolhouse. They are no longer in daily informal contact with parents, ministers, and other institution leaders . . . [and are] no longer a natural extension of parental authority.”
—James P. Comer (20th century)
“I put away my brushes; resolutely crucified my divine gift, and while it hung writhing on the cross, spent my best years and powers cooking cabbage. “A servant of servants shall she be,” must have been spoken of women, not Negroes.”
—Jane Grey Swisshelm, U.S. newspaperwoman, abolitionist, and human rights activist. Half a Century, ch. 8 (1880)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)