Architecture
The building features an Italian Renaissance Revival -style exterior facade of brown brick, sandstone and panels of terra cotta details, in the "commercial Romanesque Revival" that was the current idiom in East Coast American cities. But the magnificence of the building is the interior: reached through the entrance, with its low ceiling and minimal light, it opens into a bright naturally lit great center court.
Robert Forster, star of the TV series Banyon that used the building for his office, described it as "one of the great interiors of L.A. Outside it doesn't look like much, but when you walk inside, suddenly you're back a hundred and twenty years."
The five-story central court features glazed brick, ornamental cast iron, tiling, rich marble, and polished wood, capped by a skylight that allows the court to be flooded with natural rather than artificial light, creating ever-changing shadows and accents during the day.
Cage elevators surrounded by wrought-iron grillwork go up to the fifth floor.
Geometric patterned staircases and wrought-iron railings are used abundantly throughout. The wrought-iron was created in France and displayed at the Chicago World's Fair before being installed in the building. Freestanding mail-chutes also feature ironwork.
The walls are made of pale glazed brick. The marble used in the staircase was imported from Belgium, and the floors are Mexican tiles.
Read more about this topic: Bradbury Building
Famous quotes containing the word architecture:
“They can do without architecture who have no olives nor wines in the cellar.”
—Henry David Thoreau (1817–1862)
“Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.”
—Ralph Waldo Emerson (1803–1882)
“I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.”
—Roy Lichtenstein (b. 1923)