Bows and Arrows - Types of Bows

Types of Bows

There is no one accepted system of classification of bows. Some systems classify bows as either longbows or composite bows. In this system, a longbow is any bow that is made from one material. Composite bows are made from two or more layers of different materials. Other classifications divide bows into three types - simple, backed, and composite. In this scheme, simple bows are made of one material, backed bows are made of two layers, which could be similar or different materials. Composite bows are made of three different layers, usually different materials, but occasionally two of the layers are made from the same material.

Common types of bows include:

  • Recurve bow: a bow with the tips curving away from the archer. The curves straighten out as the bow is drawn and the return of the tip to its curved state after release of the arrow adds extra velocity to the arrow.
  • Reflex bow: a bow that curves completely away from the archer when unstrung. The curves are opposite to the direction in which the bow flexes while drawn.
  • Self bow: a bow made from one piece of wood.
  • Longbow: a self bow that is usually quite long, often over 5 feet (1.5 metres) long. The traditional English longbow was usually made of yew wood, but other woods are used also.
  • Composite bow: a bow made of more than one material
  • Compound: a bow with mechanical aids to help with drawing the bowstring. Usually, these aids are pulleys at the tips of the limbs.


Read more about this topic:  Bows And Arrows

Famous quotes containing the words types of, types and/or bows:

    Our children evaluate themselves based on the opinions we have of them. When we use harsh words, biting comments, and a sarcastic tone of voice, we plant the seeds of self-doubt in their developing minds.... Children who receive a steady diet of these types of messages end up feeling powerless, inadequate, and unimportant. They start to believe that they are bad, and that they can never do enough.
    Stephanie Martson (20th century)

    The American man is a very simple and cheap mechanism. The American woman I find a complicated and expensive one. Contrasts of feminine types are possible. I am not absolutely sure that there is more than one American man.
    Henry Brooks Adams (1838–1918)

    He began therefore to invest the fortress of my heart by a circumvallation of distant bows and respectful looks; he then entrenched his forces in the deep caution of never uttering an unguarded word or syllable. His designs being yet covered, he played off from several quarters a large battery of compliments. But here he found a repulse from the enemy by an absolute rejection of such fulsome praise, and this forced him back again close into his former trenches.
    Sarah Fielding (1710–1768)