Origins To 1934: The Godfrey Era
The Bournemouth Municipal Orchestra was founded in 1893 by Dan Godfrey as a group of 30 wind players and a drummer, though several of the instrumentalists - as is the current practice with military musicians - were proficient in both wind and string instruments. This flexible approach meant that the musicians could form a military band for open air concerts (playing on Bournemouth Pier) or a more formal classical ensemble for indoor programmes. The group gave its first concert on Whit Monday 1893 at the Winter Gardens, with its first classical concert in October that year.
The band quickly expanded to become a full orchestra, gaining a reputation for championing British music. Edward Elgar and Gustav Holst (among others) conducted the orchestra in their own works. The orchestra gave the UK premieres of major works by Richard Strauss, Camille Saint-Saëns and Pyotr Ilyich Tchaikovsky. On 14 December 1903, the Orchestra gave its 500th symphony concert, conducted by Godfrey; a souvenir booklet listed all the works played by the orchestra since its inception, noting any first performances. The Bournemouth Municipal Choir, founded by Godfrey in 1911, sang regularly with the orchestra.
From 1922 (to 1940) an Easter Festival was an important feature in the Bournemouth calendar; in 1927 the Festival was devoted to music of British women composers. In 1934, Godfrey retired as principal conductor, having conducted over 2,000 symphony concerts.
The first recording by the Bournemouth Municipal Orchestra was made in 1914 and occasional records were issued during Godfrey's tenure: Godfrey's recordings included works such as Ferdinand Hérold's overture to Zampa, Daniel Auber's overtures The Bronze Horse and The Crown Diamonds, or Samuel Coleridge-Taylor's Petite Suite de Concert, along with "novelty items" with titles such as 'Slippery Sticks' and 'Whispering Pines' by members of the orchestra and featuring them as soloists.
Godfrey remains the longest serving principal conductor of the orchestra, and his stewardship ensured that, unlike many of the seaside orchestras that functioned from the end of the 19th century up until the outbreak of World War II, the Bournemouth Municipal Orchestra established an ongoing tradition of music making. Godfrey's programmes mixed populist elements, such as variety acts and light music, with extracts from more serious pieces. Alongside these, he instituted a series of symphony concerts which introduced diverse repertoire. He cultivated connections with most of the prominent British composers of the day including Edward Elgar, Hamilton Harty, Alexander Mackenzie, Hubert Parry, Charles Villiers Stanford, Ethel Smyth, Gustav Holst and the Australian Percy Grainger.
From the very beginning, Godfrey had a difficult relationship with the Bournemouth Borough Council who saw the orchestra as a commercial concern which needed to pay its way. As part of Bournemouth's visitor attractions, any request for expansion of the orchestra or changes to their contracts were the subject of exhaustive debates in the Council chamber. However, in general, Godfrey was successful at balancing both high artistic standards and box-office success.
Read more about this topic: Bournemouth Symphony Orchestra
Famous quotes containing the words origins, godfrey and/or era:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The I’m-going-to-win-no-matter-how-I-have-to-do-it attitude just doesn’t seem to fit. For me, a contest isn’t a success unless it was fun, whether or not I win.”
—Margo Godfrey Oberg (b. c. 1955)
“The great pagan world of which Egypt and Greece were the last living terms ... once had a vast and perhaps perfect science of its own, a science in terms of life. In our era this science crumbled into magic and charlatanry. But even wisdom crumbles.”
—D.H. (David Herbert)