Reception
Warner Bros.-Seven Arts had so little faith in the film that, in a then-unprecedented move, they offered its first-time producer Warren Beatty 40% of the gross instead of a minimal fee. The movie went on to gross over $70 million worldwide by 1973. This made him a wealthy man and free to take on projects he wanted to do.
The film was controversial on its original release for its supposed glorification of murderers, and for its level of graphic violence, which was unprecedented at the time. Bosley Crowther of The New York Times was so appalled that he began to campaign against the increasing brutality of American films. Dave Kaufman of Variety criticized the film for uneven direction and for portraying Bonnie and Clyde as bumbling fools. Joe Morgenstern for Newsweek initially panned the film as a "squalid shoot-'em-up-up for the moron trade." After seeing the film a second time and noticing the enthusiastic audience, he wrote a second article saying he had misjudged it and praised the film. Warner Brothers took advantage of this, marketing the film as having made a major critic change his mind about its virtues.
Roger Ebert gave Bonnie and Clyde a largely positive review, giving it four stars out of a possible four. He called the film "a milestone in the history of American movies, a work of truth and brilliance." More than 30 years later, he added the film to his "Great Movies" list. Film critics Dave Kehr and James Berardinelli have also praised the film in the years since.
The fierce debate about the film is discussed at length in For the Love of Movies: The Story of American Film Criticism. This 2009 documentary film chronicles what occurred as a result: the New York Times fired Bosley Crowther because his negative review seemed so out of touch with the public, and Pauline Kael, who wrote a lengthy freelance essay in The New Yorker in praise of the film, became the magazine's new staff critic.
Read more about this topic: Bonnie And Clyde (film)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)