Multicultural Detroit Period (1996-Present)
After buying the Bohemian National Home from the Lithuanians in 1996, the new owner was in the process of removing multiple layers of graffiti from its exterior walls when a neighborhood resident struck up a conversation. "What are you going to do with that building?" she asked. After explaining that he intended to renovate the building as a multi-media, multi-cultural community center that would be available for use by the neighborhood and other local Detroit organizations, the neighbor seemed more comfortable and began to open up. "Those people who were here before you were racist pigs", the woman stated. "Oh really," he replied, "and why do you think that?" Although unable to point to any specific instances of racist activity, she insisted that they must have been racists because they "stayed to themselves" and didn't invite the other neighborhood residents to any of their functions. He made a brief attempt to explain that most non-English speaking immigrant communities in the United States experienced similar periods of self-imposed isolation as they underwent assimilation and that it was a desire to preserve their native language and culture that most often led them to "stay to themselves".
Although his sidewalk attempt to share some basic immigration history with the woman seemed to fall on deaf ears, the encounter, and many more like it, made two things very clear. First, that there was an almost complete lack of communication and understanding between the most recent occupants of the building and the African American residents of the neighborhood. The "word on the street" varied from a belief that they were ex-Nazis (particularly strange given the dedication of the club to two Lithuanians shot down by the Nazis), to a group of mobsters, but no one he spoke with could say what nationality they were or how they came to be in the neighborhood. The story of an entire local community of immigrants seemed at risk of being lost in rumour and speculation. It seemed appropriate to allow a bit of historical research to reveal more of the truth (some of which, comprise the "Bohemian and Lithuanian Periods" of this entry). Second, any redevelopment and reuse plans for the Bohemian National Home would have to somehow include the surrounding neighborhood. The hall is one of five sizable, non-residential buildings interspersed in the residential blocks of the neighborhood, and the residents feel a sense of ownership of these spaces. The other four buildings include two churches, a parochial school, and a church convent converted into offices for Core-City Neighborhoods, a non-profit community organization. All four of these building afford some level of access to the neighborhood residents. None of these buildings have a problem with graffiti or vandalism.
The Bohemian National Home, on the other hand, was, in 1996, replete with graffiti and signs of vandalism. The area around the hall was the worst block in the neighborhood and had a disproportionate amount of vacant lots and vacant houses. Illegal drug sales and related activities occurred around the clock and the building had been the target of scavengers who steal copper piping, wiring and any other item that can be turned into a few quick dollars. The current owner fought off two very serious attempts to "bust open" the Bohemian National Home to the scavengers, and then decided that the only way to preserve it from the landfill, was to assume the role of steward, for better or worse. Although the hall has the physical presence of a public building, it had been inaccessible to surrounding residents of other cultures, leading to resentment, misunderstanding and a lack of the kind of public stewardship exhibited by the neighborhood toward the other large buildings. At that time of the 1996 purchase from the Lithuanians, the hall and the vacant land around it represented a large void in the fabric of the neighborhood. The result was an environment in which illicit activity flourished, creating a nuisance for the entire neighborhood.
Read more about this topic: Bohemian National Home
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