Boeing B-17 Flying Fortress - Fortresses As A Symbol

Fortresses As A Symbol

The B-17 Flying Fortress has become, for many reasons, an icon of American power and a symbol of its Air Force. During the 1930s, the USAAC, as articulated by then-Major General Frank Maxwell Andrews and the Air Corps Tactical School, touted the bomber as a strategic weapon. General Henry H. Arnold, Chief of the Air Corps, recommended the development of bigger aircraft with better performance and the Tactical School agreed completely.

When the Model 299 was rolled out on 28 July 1935, bristling with multiple machine gun installations, Richard Williams, a reporter for the Seattle Times coined the name "Flying Fortress" with his comment "Why, it's a flying fortress!". Boeing was quick to see the value of the name and had it trademarked for use. In 1943, Consolidated Aircraft commissioned a poll to see "to what degree the public is familiar with the names of the Liberator and the Flying Fortress." Of 2,500 men in cities where Consolidated adverts had been run in newspapers, 73% had heard of the B-24, while 90% knew of the B-17.

After the initial B-17s were delivered to the Air Corps 2nd Bombardment Group, they were used on promotional flights emphasizing its great range and navigational precision. In January 1938, group commander Colonel Robert Olds flew a YB-17 from the east to west coast, setting a transcontinental record of 13 hours 27 minutes. He also broke the west-to-east coast record on the return trip, averaging 245 mph (394 km/h) in 11 hours 1 minute. Six bombers of the 2nd Bombardment group took off from Langley Field on 15 February 1938 as part of a goodwill flight to Buenos Aires, Argentina. Covering 12,000 miles (19,000 km) they returned on 27 February, with seven aircraft setting off on a flight to Rio de Janeiro, Brazil, three days later. In a well-publicized mission on 12 May of the same year, three B-17s "intercepted" and took photographs of the Italian ocean liner SS Rex 610 miles (980 km) off the Atlantic coast.

Pilots who flew both preferred the B-17 over the B-24 for its greater stability and ease in formation flying. Its electrical systems were less vulnerable to damage than the B-24's hydraulics, and the B-17 flew better than the B-24 when missing an engine. During the war, the largest offensive bombing force, the Eighth Air Force, had an open preference for the B-17. Lieutenant General Jimmy Doolittle wrote about his preference for equipping the Eighth with B-17s, citing the logistical advantage in keeping fielded forces down to a minimum number of aircraft types with their unique servicing and spares. For this reason, he wanted B-17 bombers and P-51 fighters for the Eighth. His views were supported by Eighth Air Force statisticians, whose studies showed that Fortresses had utility and survivability much greater than that of the B-24. Making it back to base on multiple occasions despite extensive battle damage, its durability took on mythical proportions; stories and photos of B-17s surviving battle damage were widely circulated during the war. Despite an inferior performance and bombload compared to the more numerous B-24, a survey of Eighth Air Force crews showed a much higher rate of satisfaction in the B-17.

Hollywood featured the B-17 in its period films, such as director Howard Hawks' Air Force starring John Garfield and Twelve O'Clock High starring Gregory Peck. Both films were made with the full cooperation of the United States Army Air Force and made use of actual aircraft and (for Twleve O'Clock High) actual combat footage. In 1964, the latter film was made into a television show of the same name and ran for three years on ABC TV. Footage from Twelve O' Clock High was also used, along with three restored B-17s, in the 1962 film The War Lover. The B-17 also appeared in the 1938 movie Test Pilot with Clark Gable and Spencer Tracy, with Clark Gable in Command Decision in 1948, in Tora! Tora! Tora! in 1970, and in Memphis Belle with Matthew Modine, Eric Stoltz, Billy Zane, and Harry Connick, Jr. in 1990. The most famous B-17, the Memphis Belle, toured the U. S. with its crew to reinforce national morale (and to sell War Bonds), and starred in a USAAF documentary, Memphis Belle: A Story of a Flying Fortress.

The B-17 has also been featured in artistic works expressing the physical and psychological stress of the combat conditions and the high casualty rates that crews suffered. Works such as The Death of the Ball Turret Gunner by Randall Jarrell and Heavy Metal (film)'s section "B-17" depict the nature of these missions. The Ball turret itself has inspired works like Steven Spielberg's The Mission. Artists who served on the bomber units also created paintings and drawings depicting the combat conditions in World War II.